Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-Wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-Wan Kenobi investigates an assassination attempt on the senator and discovers a secret clone army crafted for the Jedi.
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Defected stormtrooper Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
The Imperial Forces, under orders from cruel Darth Vader, hold Princess Leia hostage in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker and Han Solo, captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 and C-3PO to rescue the beautiful princess, help the Rebel Alliance and restore freedom and justice to the Galaxy.Written by
70 mm 6-Track
(70 mm prints)|Dolby
(as Dolby System) (35 mm prints) (1977 print)|DTS-Stereo
(as DTS Stereo® in selected theatres) (1997 print)|Dolby Digital
(as Dolby® Digital in selected theatres) (1997 print)|SDDS
(as Sony Dynamic Digital SoundTM in selected theatres) (1997 print)|Mono
(some 35 mm prints) (other 16 mm prints)
The climax was dramatically altered in post-production. The way it was originally written and edited (and happens in the novelization), after Gold Leader and Red Leader fail to hit their mark, Luke makes two separate attempts during the Death Star's trench run. On the first attempt, he used the targeting computer and missed, but during the second, going in at full throttle, he succeeded by trusting the Force. Also, the Death Star was simply hovering in space, it was never about to destroy the Rebel base on Yavin IV. It was the idea of editor Marcia Lucas (then-wife of writer and director George Lucas) to increase the stakes by adding inserts and voice-overs signifying that the Death Star was slowly coming into firing range. She also combined shots from both of Luke's runs into a single sequence, so that he only has one chance to destroy the Death Star. See more »
In the lightsaber fight between Vader and Obi Wan, David Prowse's eyes are visible through the Darth Vader helmet lenses. However, this is not an error because Darth Vader is a man with fully functional eyes, which could understandably be revealed through his mask. See more »
Did you hear that? They shut down the main reactor. We'll be destroyed for sure. This is madness.
See more »
When first released theatrically, prior to the film, a generic screen reading in green letters "A Lucasfilm Limited Production" appeared. In all versions from the Special Edition onward, this is replaced with a more elaborate Lucasfilm logo that shines and glows. See more »
There are a few noticeable differences between the version shown on ITV on British television during the 1980s and early, pre-'remastered' video releases:
The sound quality of the voices heard over intercoms and radios during the Battle of Yavin is very different.
On TV, Luke says "Blast it, Wedge, where are you?" On the video he says, "Blast it, Biggs, where are you?"
On TV, Porkins' final dying scream is drowned out.
On TV, a stormtrooper searching for the droids on Tatooine says, "This one's secure, move onto the next one". On the video he says 'locked' instead of secure.
Star Wars is a movie that has had great social impact, a fact that has often gone unnoticed. A harbinger of a changing mood within the United States, Star Wars was one of the few movies rated General that was released in 1977. Where movies had for a decade been depicting ever more dark topics (Taxi Driver, The Exorcist) Star Wars was a lighthearted adventure. While some may decry the move back to swashbuckling from social comment, I for one celebrate the fact that Star Wars made it possible for families to go to movies together once again.
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