Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the evil Darth Vader.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-Wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-Wan investigates an assassination attempt on the senator and discovers a secret clone army crafted for the Jedi.
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Stormtrooper defector Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
The Imperial Forces, under orders from cruel Darth Vader, hold Princess Leia hostage in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker and Han Solo, captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 and C-3PO to rescue the beautiful princess, help the Rebel Alliance and restore freedom and justice to the Galaxy.Written by
70 mm 6-Track
(70 mm prints)|Dolby
(as Dolby System) (35 mm prints) (1977 print)|DTS-Stereo
(as DTS Stereo® in selected theatres) (1997 print)|Dolby Digital
(as Dolby® Digital in selected theatres) (1997 print)|SDDS
(as Sony Dynamic Digital SoundTM in selected theatres) (1997 print)|Mono
(some 35 mm prints) (other 16 mm prints)
Alan Ladd Jr. offered George Lucas some of the only support from the studio; he dealt with scrutiny from board members over the rising budget and complex screenplay drafts. Initially, Fox approved $8 million for the project; Gary Kurtz said: "we proceeded to pick a production plan and do a more final budget with a British art department and look for locations in North Africa, and kind of pulled together some things. Then, it was obvious that 8 million wasn't going to do it-they had approved 8 million." After requests from the team that "it had to be more", the executives "got a bit scared". For two weeks, Lucas and his crew "didn't really do anything except kind of pull together new budget figures". At the same time, after production fell behind schedule, Ladd told Lucas he had to finish production within a week or he would be forced to shut down production. Kurtz said that "it came out to be like 9.8 or .9 or something like that, and in the end they just said, 'Yes, that's okay, we'll go ahead.'" The crew split into three units, with those units led by Lucas, Kurtz, and production supervisor 'Robert Watts'. Under the new system, the project met the studio's deadline. See more »
When the stormtroopers approach docking bay 94, though intended to be open sky above, and one asks 'which way did they go', studio lighting is reflected on top of his helmet. See more »
Did you hear that? They shut down the main reactor. We'll be destroyed for sure. This is madness.
See more »
When first released theatrically, prior to the film, a generic screen reading in green letters "A Lucasfilm Limited Production" appeared. In all versions from the Special Edition onward, this is replaced with a more elaborate Lucasfilm logo that shines and glows. See more »
The greatest cinematic epic of all time begins here.
Here begins the greatest cinematic epic of all time, and arguably one of the greatest stories ever told. Originally conceived as a serialized popcorn movie in the manner of the old action movies that Lucas grew up with, Star Wars surpassed even George's keen and bombastic imagination to become a central part of movie history.
There are countless tales of the making of this movie; how Lucas never believed he would get the chance to complete the series, how it spawned an industry and made the name of nearly everyone who touched it a household word. But what that does not reveal, nor do the much diminished prequels, is the sheer joy and excitement these movies generated.
It was a once in a lifetime experience. You could feel it from opening day, earlier if you paid attention to such things. We had never seen anything like it, and we are not likely to again.
This episode finds young Luke Skywalker yearning to leave the agrarian life he has with his aunt and uncle, and chase after adventure as his friends before him have already done. And what adventure there is. The galaxy is in the grip of a massive rebellion against a tyrannical and oppressive empire, but on Luke's home planet, it's something you only dare speak of in a whisper.
Along come two robots, "Droids" for short, who inadvertently involve Luke in a stellar attempt to contact an old wizard named Ben Kenobi, who lives in the caves near Luke's home.
The rest is history, and there isn't a person alive in the civilized world who doesn't have at least some awareness of the epic story that unfolds. Luke's rise from adolescent obscurity on Tatooine to a leading role in the greatest struggle of all time is told with humor, action, adventure, and always a sense of story that is unmatched on the screen or on the page.
With the completion of the prequel trilogy, these films are enjoying a renewed popularity among a generation that never saw the films on the big screen, and the theatric revivals are almost guaranteed. Go. Get some popcorn. And may the Force be with you.
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