Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the evil Darth Vader.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-Wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-Wan investigates an assassination attempt on the senator and discovers a secret clone army crafted for the Jedi.
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Stormtrooper defector Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
The Imperial Forces, under orders from cruel Darth Vader, hold Princess Leia hostage in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker and Han Solo, captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 and C-3PO to rescue the beautiful princess, help the Rebel Alliance and restore freedom and justice to the Galaxy.Written by
70 mm 6-Track
(70 mm prints)|Dolby
(as Dolby System) (35 mm prints) (1977 print)|DTS-Stereo
(as DTS Stereo® in selected theatres) (1997 print)|Dolby Digital
(as Dolby® Digital in selected theatres) (1997 print)|SDDS
(as Sony Dynamic Digital SoundTM in selected theatres) (1997 print)|Mono
(some 35 mm prints) (other 16 mm prints)
John Williams' score features cues inspired by several classical works. The music in the scene where the Millenium Falcon is pulled into the Death Star resembles "Mars, The Bringer Of War" by Gustav Holst. Parts of the Tatooine music resembles selections from Igor Stravinsky's Sacre Du Printemps. See more »
When Obi-Wan turns off the tractor beam, there is an overhead shot showing the bridge he has the cross, the tractor beam platform, and the chasm below. The chasm was created by a glass matte painting. Obi-Wan's robes billow out over the lip of the platform that he was standing on, so this part is not covered by the matte painting. As a result, you can see the concrete floor of the set. See more »
Did you hear that? They shut down the main reactor. We'll be destroyed for sure. This is madness.
See more »
To compensate for the new special edition credits inserted in versions 1997 and beyond, a longer instrumental suite plays during the credits roll, integrating various themes from throughout the film. See more »
The greatest cinematic epic of all time begins here.
Here begins the greatest cinematic epic of all time, and arguably one of the greatest stories ever told. Originally conceived as a serialized popcorn movie in the manner of the old action movies that Lucas grew up with, Star Wars surpassed even George's keen and bombastic imagination to become a central part of movie history.
There are countless tales of the making of this movie; how Lucas never believed he would get the chance to complete the series, how it spawned an industry and made the name of nearly everyone who touched it a household word. But what that does not reveal, nor do the much diminished prequels, is the sheer joy and excitement these movies generated.
It was a once in a lifetime experience. You could feel it from opening day, earlier if you paid attention to such things. We had never seen anything like it, and we are not likely to again.
This episode finds young Luke Skywalker yearning to leave the agrarian life he has with his aunt and uncle, and chase after adventure as his friends before him have already done. And what adventure there is. The galaxy is in the grip of a massive rebellion against a tyrannical and oppressive empire, but on Luke's home planet, it's something you only dare speak of in a whisper.
Along come two robots, "Droids" for short, who inadvertently involve Luke in a stellar attempt to contact an old wizard named Ben Kenobi, who lives in the caves near Luke's home.
The rest is history, and there isn't a person alive in the civilized world who doesn't have at least some awareness of the epic story that unfolds. Luke's rise from adolescent obscurity on Tatooine to a leading role in the greatest struggle of all time is told with humor, action, adventure, and always a sense of story that is unmatched on the screen or on the page.
With the completion of the prequel trilogy, these films are enjoying a renewed popularity among a generation that never saw the films on the big screen, and the theatric revivals are almost guaranteed. Go. Get some popcorn. And may the Force be with you.
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