A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
A gangster, a crooked banker, a hitman and an arab terrorist are stranded and on the run in a small village in South America. Their only chance of escape is to drive two trucks filled with unstable nitroglycerin up a long and rocky mountain road in order to plug an escalating oil refinery blaze. With their deadly cargo likely to explode at the slightest bump, the four men must put aside their differences and work together to survive.
William Friedkin talked to both Gene Hackman and Kris Kristofferson to find out if they were interested in starring. Hackman declined, saying the script was too violent. Kristofferson also declined, as he was not convinced he had the acting chops to carry a movie of this size and budget. He made Convoy (1978) instead, which he felt was safer. See more »
In the wide shots of the trucks crossing the bridge you can see the tow cables/anchor lines to the bridge going in and out of the water as the bridge rocks back and forth. See more »
[while attempting to drive a truck down a rough, dirt road]
I need to know the machine!
See more »
At the end of the film as the last of the end credits scroll up, the music fades away and is replaced by the sound of an idling truck. See more »
The European version of the film was re-edited and shortened by CIC, the European distributor, without director William Friedkin's permission. The prologue sequences set in New York, Paris, Vera Cruz and Israel that show what happened to the main characters and why they had to flee to South America, were changed to flashbacks running throughout the film. See more »
SPOILERS This is one of those movies that demands a close second look. At first glance it seems like a unique action movie with some good performances. But upon closer inspection, this movie is almost like a minor horror movie, somewhat reminding one of The Sixth Sense, with its twisted vision of a man in hell. If one were to pay close attention to several scenes in the film, one would come away thinking that the main character played by Roy Scheider, has literally died and went to hell. From the beginning when he is involved in a car crash, what follows is a subtle, yet highly symbolic underlying theme of a man who is on a journey to the devils domain. COnsider the car crash, was Roy Scheider the only survivor, or was he indeed dead, perhaps a ghost. Consider the group that he was forced to join on their suicide mission, an assassin, a terrorist, a swindler and a gangster, all headed for the fall, and a trip to hell for their bad deeds. Consider the burning fires of the oil factory, this is where they are headed, the fires are symbolic of hell itself. Consider the crossing of the bridge in the storm. The sound of that terrifying wailing wind, the demon wind, could that have been the entrance, the gates to hell itself, there are so many slight references to the idea that this is more then what it seems. In a nutshell Sorcerer is simply brilliant, the kind of movie that they just do not make anymore.
10 of 11 people found this review helpful.
Was this review helpful to you?
| Report this