7.8/10
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22 user 23 critic

Shatranj Ke Khilari (1977)

Not Rated | | Comedy, Drama, History | 3 October 1977 (India)
Wazed Ali Shah was the ruler of one of the last independent kingdoms of India. The British, intent on controlling this rich country, had sent General Outram on a secret mission to clear the... See full summary »

Director:

Satyajit Ray

Writers:

Munshi Premchand (story) (as Premchand), Satyajit Ray (dialogue) | 3 more credits »
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3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Sanjeev Kumar ... Mirza Sajjad Ali
Saeed Jaffrey ... Mir Roshan Ali
Shabana Azmi ... Khurshid, Mirza's wife
Farida Jalal ... Nafisa, Mir's wife
Veena ... Queen Mother
David Abraham ... Munshi
Victor Banerjee ... Prime Minister (as Victor Bannerji)
Farooq Shaikh ... Aqueel (as Farooque Shaikh)
Tom Alter ... Capt. Weston (Outram's aide de camp)
Leela Mishra ... Hirya, Khurshid's maid
Barry John Barry John
Samarth Narain Samarth Narain ... Kallu
Bhudo Advani Bhudo Advani ... Abbajani (as Budho Advani)
Kamu Mukherjee Kamu Mukherjee ... (as Kamu Mukherji)
Uttamram Nagar Uttamram Nagar
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Storyline

Wazed Ali Shah was the ruler of one of the last independent kingdoms of India. The British, intent on controlling this rich country, had sent General Outram on a secret mission to clear the way for an annexation. While pressure was mounting amidst intrigue and political maneuvers, Ali Shah composes poems and listens to music, secluded in his palace. The court was of no help, as exemplified by nobles Mir and Mirza, who, ignoring the situation of their country and all of their duties towards their families, spend their days playing endless parties of chess. Written by Eduardo Casais <eduardo.casais@research.nokia.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | History

Certificate:

Not Rated | See all certifications »
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Details

Country:

India

Language:

Hindi | Urdu | English

Release Date:

3 October 1977 (India) See more »

Also Known As:

The Chess Players See more »

Company Credits

Production Co:

Devki Chitra See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)
See full technical specs »
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Did You Know?

Trivia

Based on Premchand's story of same name. See more »

Quotes

Mir Roshan Ali: Jinse apni biwiyan nahin sambhli woh angreaz fauz se Kyla ladenge. Those who can't handle their wives, who can they fight the British invaders.
See more »

Connections

Featured in Celluloid Man (2012) See more »

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User Reviews

 
A classic from a grandmaster
3 March 2004 | by Jonathan DoreSee all my reviews

Previous reviews have puzzlingly stated that this is one of the first films to break away from the commercial traditions of Bollywood. In fact, it belongs to a different tradition altogether - art cinema reflecting social themes - which has been going on since at least the early 1950s in India (where it was initially strongly influenced by Italian neo-realism) in the work of Ray, Mrinal Sen, and Ritwik Ghatak. All three were, perhaps significantly, Bengalis, and partook of the rich intellectual traditions of that region, most widely associated with the great poet and national figure Rabindranath Tagore.

The Chess Players is a delight from beginning to end. Taking its cue from the origins of chess as a war-strategy training game, Ray builds two narrative strands in parallel: in the mid-1850s, a pair of idle aristocrats become obsessed by chess and play it all day long, oblivious to the collapse of their domestic relationships that it causes; and in the larger world outside, the scheming and strategy of the chess-board is played out in the real-life scheming of the East India Company as it attempts to manoeuvre the Nawab of Oudh from his throne and bring the state within British jurisdiction. The two plotlines are beautifully brought together at the end when, after hearing that Company troops have moved in and the Nawab has abdicated, the chess-playing friends change their board layout to the Western manner, which involves the king and queen changing their starting positions: "Move over, king. Make way for en] Victoria!"

There are fine performances all round: from Amjad Khan as the Nawab, whose infinitely delicate sensibilities lead to infinite puzzlement at the connivings of the less fastidious, to Richard Attenborough as the Company representative in Oudh whose job it is to unseat him, who manages to convey a genuine belief that the state needs to be better run, with an underlying realization that he has no right to do what he is doing. Sanjeev Kumar and Saeed Jaffrey, as the chess players Mirza and Mir, both have extremely expressive faces that can switch from blustering bonhomie to pained hurt, or from deadpan seriousness to quizzical amusement, in a heartbeat. Jaffrey's talent for comedy will come as no surprise to viewers of his English-language films, and he provides the film's finest comic moment when he walks into his bedroom to find his wife trying to hide her lover (his nephew) under the bed - a moment straight out of a Feydeau farce.

Two moments of great artistic beauty stand out for me. First, when the Nawab, overwhelmed by the political situation while in conference with his ministers, seeks solace in a haunting, graceful song he had composed in a happier time (actually composed by Ray - perhaps the director showing us his self-identification with the character). Second, in a scene where Mir is left on his own at the chessboard while Mirza goes off to "see what the trouble is" with his wife, the camera follows Mir as he gets up and goes out into the hallway to see where his friend has got to. The camera then stays still as he retraces his steps, and in the vertical slice of light caused by a gap between two curtains that separate the hallway and the chess room, we see framed the precise point on the chessboard where Mir's hand slowly and surreptitiously comes into view as he sneakily moves one of the pieces. A virtuoso piece of camerawork and compositional framing that, like the film as a whole, never fails to enchant.


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