6.4/10
7,983
125 user 113 critic

The Sentinel (1977)

Not ready for marriage, a fashion model moves into an unbelievably cheap Brooklyn Heights apartment, where weird occurrences turn into a much more frightening turn of events.

Director:

Michael Winner

Writers:

Jeffrey Konvitz (novel), Michael Winner (screenplay) | 1 more credit »
Reviews

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From $3.99 (SD) on Prime Video

ON DISC
4 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Chris Sarandon ... Michael Lerman
Cristina Raines ... Alison Parker
Martin Balsam ... Professor Ruzinsky
John Carradine ... Father Halliran
José Ferrer ... Robed Figure
Ava Gardner ... Miss Logan
Arthur Kennedy ... Monsignor Franchino
Burgess Meredith ... Charles Chazen
Sylvia Miles ... Gerde Engstrom
Deborah Raffin ... Jennifer
Eli Wallach ... Detective Gatz
Christopher Walken ... Detective Rizzo
Jerry Orbach ... Michael Dayton
Beverly D'Angelo ... Sandra
Hank Garrett ... James Brenner
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Storyline

A fashion model moves into a house inhabited (on the top floor) by a blind priest. She begins having strange physical problems, has trouble sleeping at night, and has some nasty flashbacks of her attempted suicide. She complains to the real estate agent of the noise caused by her strange neighbors, but finds out that the house is only occupied by the priest and herself, and ultimately discovers that she has been put in the house for a reason. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

She was young. She was beautiful. She was next! See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian | Latin

Release Date:

21 April 1977 (Netherlands) See more »

Also Known As:

Centinela de los malditos See more »

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Box Office

Budget:

$3,700,000 (estimated)

Gross USA:

$4,000,000, 31 December 1977
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Universal had hoped to sign on Don Siegel as director, but Siegel ultimately bowed out due to his discomfort with this particular movie genre. See more »

Goofs

(at around 4 mins) When Allison is filming a shampoo commercial, she and another model are seen whipping their hair around. The footage was reversed, so the actresses' hair is moving backwards. See more »

Quotes

Miss Logan: I find that New Yorkers have no sense for anything but sex and money.
Alison Parker: Well, I guess there's something to be said for that.
See more »

Alternate Versions

In the theatrical version, there is no voiceover in the final scene while the camera orbits the new Sentinel. The effect of seeing Alison transformed is startling, unsettling, and frightening. For the TV version, a voiceover has been added which diminishes this effect by implying that Alison is much happier in her new life than she was before. See more »

Connections

Referenced in Ghostbusters (1984) See more »

Frequently Asked Questions

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User Reviews

The only horror flick in history with FOURTEEN name stars!
25 November 2001 | by uds3See all my reviews

"Campy" doesn't adequately describe THE SENTINEL, I'm not sure what does! If for no other reason, but to see actors of the caliber of Martin Balsam, Ava Gardner, Jose Ferrer, Arthur Kennedy, Christopher Walken, Chris Sarandon, Eli Wallach and Burgess Meredith all making fools of themselves, is an opportunity you simply cannot pass up in this dumb tale of yet another gateway to Hell!

Cristina Raines plays Alison Parker, a willowy model who decides to move in to a spooky Brooklyn apartment building, remarkably similar to that which Rosemary and her baby recently vacated. Looks like the place is managed by the same body corporate! Tenanted mainly by the aforementioned actors, Miss Raines soon discovers that things are just not kosher somehow. Scenes decidedly campy and less so, blur both her and the audience's lines of reality. Worthy of an academy award alone is that where Raines is seated opposite D'Angelo watching her masturbate. The camera remains on her face as she begins to crack-up in obvious embarrassment at D'Angelo's antics - who wouldn't have? It's arguably the shot of the century!

Michael Winner directs with his usual "God knows what this is gonna turn out like" philosophy. Responsible for such good films as THE MECHANIC and such losers as DEATH WISH 4, its a 50:50 proposition with ANY of his pics!

Horrific or laugh-out-loud funny? you choose! Outrageous fun though, however you look at it!


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