Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever.Written by
When Tony first enters 2001 Odyssey, the doorman (gray vest, glasses) stamps his hand and Tony greets him. In the next shot, when Tony moves into the main hall, the doorman is already standing there and Tony shakes his hand. See more »
When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking. See more »
In later VHS releases, which carry a Dolby Surround soundtrack, some of the music has been altered (probably for copyright problems). Most annoying is the replacement of K-JEE by M.F.S.B., during the dance by the Puerto Rican couple in the contest, by some generic sounding music. This same music is also played instead of "Disco Duck" in the brief glimpse of the dance studio owner giving lessons to a group of people. See more »
An uneducated Brooklyn teen (John Travolta, in an Oscar-nominated role) lives in a dream world over the weekends as the king of a disco dance floor. Disillusioned, quietly upset with where his life is, Travolta finds solace by dancing in public to Bee Gee's music and finds love with his newest dance partner (Karen Lynn Gorney). The duo practice for an upcoming contest that could mean total success at last for Travolta and the opportunity to get discovered doing what he really loves. Travolta and his friends seem destined to go down a path of destruction though as a soap opera develops for all the key people found within. "Saturday Night Fever" is a total over-achiever as it could have fallen to exploitation tactics of the 1970s, but becomes one of those iconic films that still stands the test of time. Travolta is a revelation in arguably his greatest role. The other players are adequate and the screenplay is deceptively smarter than it appears on the surface. The movie also works as a time capsule to a part of contemporary American history where discos and bell-bottoms were all the rage. Still one of the finer films of the time period. 4.5 out of 5 stars.
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