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The son of a shepherd embarks in the quest of emancipating himself from a tough lifestyle that his condition and his father force on him.The son of a shepherd embarks in the quest of emancipating himself from a tough lifestyle that his condition and his father force on him.The son of a shepherd embarks in the quest of emancipating himself from a tough lifestyle that his condition and his father force on him.
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The life of an Italian peasant who was forced out of school by his father so as to be a shepherd in the remote country side. The loneliness and the father's brutality has an effect on the boy who grows up to be a late learner in reading and writing. This new knowledge he uses as a weapon against the everlasting battle with his tyrant father. The first half drags on but the second half all comes together.
Padre Pardone, the master piece of theTaviani brothers tells the story of the coming of age of a young illiterate shepherd who's confronted to the tyranny of his father and the inevitable rebellion that happens when the child becomes a man. This movie which tells the true story of the writer Gavino Ledda gives an universal vibe. The relation between father and son is based on love, authority and violence. More then just a family portrait, Padre Padrone is about society. Not just the modern italian society, but each society at each time. This story is about changes and conflict between generation and mentalities. The movie has some really powerful scene like the one when the fathers cry with his son in his arms. The score is composed mainly of sardinian musics, The sardinian score is heartbreaking, just like the movie is....
I saw this movie more than 20 years ago, but I have never forgotten it. There is no need for me to repeat what others have said about the plot. Let me just say that the film's use of natural sound is astounding. An illiterate boy is isolated from other people, so he develops a unique understanding of the world's noises. I appreciated the film's critique of paternalism, but even more, I was profoundly moved by the story of a peasant boy who manages to overcome his isolation and fear of his father and learn to read and then to study linguistics.
I am going to buy a copy of this movie for my grandson who is studying film at a university. Despite the fact that he is a young and urban American, I think he will appreciate the humor, the innovative techniques and the themes of this remarkable film.
I am going to buy a copy of this movie for my grandson who is studying film at a university. Despite the fact that he is a young and urban American, I think he will appreciate the humor, the innovative techniques and the themes of this remarkable film.
(1977) Padre Padrone
(In Italian with English subtitles)
AUTO BIOGRAPHICAL
Adapted from the book by Gavino Ledda written and directed by Paolo Taviani and Vittorio Taviani that has a father (Omero Antonutti) pulling his very young son, Gavino (Fabrizio Forte) out of class to get him to work as his sheepherder. He does though promises his son a proper education by the time he reaches the age of twenty years. As we see Gavino as a little boy with strict orders to the time the movie jumps to as soon as he turns twenty years old, Saverio Marconi how he obtained his first musical instrument, which is an accordion. And of course, when Gavino's father promised him an education, he only able to learn how read and write through the correspondence once he was enlisted in the military.
That although the father had other siblings, why is he the most hard on him when there are others who can work on the farming and the gardening as well. It states the father's abuses as well as his ways but without any explanation or clarity about his reasons why he does the things that he does which raises more questions than it answers, and instead expect viewers to accept the way it was.
At the opening of the movie, viewers see an adult man carving the twigs out of a thin tree limb before he hands it to the father who was pulling his son out of class at a very young age. At the time I didn't think much of it up until the very end where he is shown again and this time he tells viewers he is Gavino Ledda and is 35 years old. That the young man I saw at the opening is what "Gavino Ledda" looked like now the current time the movie was made back in 1977.
It was also interesting how, the we be able to hear what some of the characters are thinking and not just it's two main characters of Gavino and his father.
Adapted from the book by Gavino Ledda written and directed by Paolo Taviani and Vittorio Taviani that has a father (Omero Antonutti) pulling his very young son, Gavino (Fabrizio Forte) out of class to get him to work as his sheepherder. He does though promises his son a proper education by the time he reaches the age of twenty years. As we see Gavino as a little boy with strict orders to the time the movie jumps to as soon as he turns twenty years old, Saverio Marconi how he obtained his first musical instrument, which is an accordion. And of course, when Gavino's father promised him an education, he only able to learn how read and write through the correspondence once he was enlisted in the military.
That although the father had other siblings, why is he the most hard on him when there are others who can work on the farming and the gardening as well. It states the father's abuses as well as his ways but without any explanation or clarity about his reasons why he does the things that he does which raises more questions than it answers, and instead expect viewers to accept the way it was.
At the opening of the movie, viewers see an adult man carving the twigs out of a thin tree limb before he hands it to the father who was pulling his son out of class at a very young age. At the time I didn't think much of it up until the very end where he is shown again and this time he tells viewers he is Gavino Ledda and is 35 years old. That the young man I saw at the opening is what "Gavino Ledda" looked like now the current time the movie was made back in 1977.
It was also interesting how, the we be able to hear what some of the characters are thinking and not just it's two main characters of Gavino and his father.
"Padre Padrone" (Italian, 1977): Directed by Paolo and Vittoria Taviani. A Sardinian boy grows up under the crude and violent shadow of his sheepherder father. Family life is a combination of mind-numbing boredom and crackling moments of fear. The years pass, and almost by accident, the boy (now a man of 20) becomes involved in the larger world. Here begins his struggle to break away from the tyranny of "Father/Master", and make use all that awaits him
but the teachings of his father are NOT that easily left behind. It's an interesting psychological story shown in typical Italian 70's fashion low production values, lots of overdubbing, and only a slight interest in creating an artful shot (no, most Italian films are NOT Fellini or Antonioni). However, THIS one is worth following. The payoff IS in the story and its message. It's a strong film that reminded me of "Pelle the Conqueror". And a second night of pondering: "Padre Padrone" ("Father Master") is a truly unique look at the relationship between fathers and sons. It's not a pastel image, that's for sure, but it raises some very interesting questions that I think most sons will recognize at some deep, unspoken level. As is always the case with a smart work of Art, the visual level is but the entryway to a broader topic which allows more viewers to relate. No, WE'RE NOT Sardinian, sheep herders, uneducated, or dirt floor poor. No, our fathers probably did not behave exactly as this father did...yet nearly every one of us can sense that the feelings we held towards our fathers (as boys) are somehow addressed in this film. He held the power. To get "out from under" his looming protections and threats, we had to leave. There was no other way to break free of the family dynamic. Upon return, for a visit or temporary living circumstance, we found he had not changed - no one in the family had changed - and the certainty we had that WE had changed while away, was only a facade days away from cracking or collapsing. What did we do? We left again, returned, left, visited, avoided, watched, and waited for "things" to change to SUCH a degree, we could now all settle into a new set of roles.
Did you know
- TriviaAkira Kurosawa included this as one of his favorite movies in his book A Dream is a Genius.
- ConnectionsFeatured in The Cinema Machine: Il travagliato sogno di una vita (1978)
- SoundtracksOverture from 'Die Fledermaus'
Composed by Johann Strauss
- How long is Padre Padrone?Powered by Alexa
Details
- Runtime1 hour 54 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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