Martin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. These are two people who have lived together for a long time and ... See full summary »
The day WWII ends, Jimmy, a selfish and smooth-talking musician, meets Francine, a lounge singer. From that moment on, their relationship grows into love as they struggle with their careers and aim for the top.Written by
Steve Richer <firstname.lastname@example.org>
The original song titled "Theme from New York, New York" was scrapped at the insistence of Robert De Niro. Grudgingly, John Kander and Fred Ebb wrote a new version, which has since become one of the most famous and often recorded songs in history. Kander and Ebb have often expressed extreme gratitude to De Niro for his influence. See more »
During the VJ dance sequence when Jimmy (DeNiro) is initially trying to pick up Francine (Minnelli), the cherry in her drink disappears (when she eats it in one shot) but then reappears in her drink only to disappear in subsequent shots. See more »
That was it! That was you proposal, get your coat on, put your shoes on, lets go, lets go, lets go, that was it!
Whats wrong with that?
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Originally released at 153 minutes, then cut to 136 minutes and finally re-released in 1981 in a 164-minutes special edition with restored material, including the complete musical number "Happy Endings," which was seen in a much shorter version in the originally released version of the film. See more »
This film makes my top 20 of all time! I kid you not!
New York, New York is a marvel. The beautiful production design of this dark chamber musical helps us see a side of post-War America many of us are unfamiliar with. The destructive relationship of lead characters Francine Evans and Jimmy Doyle (Liza Minelli and Robert DeNiro) does not obscure their obvious love for each other and their music. The film is a burgundy-tinged valentine to the musicals of the 40's, and there is frequent wonderful humor and a delightful supporting turn by Lionel Stander. Do not listen to the nay-sayers; this is Martin Scorsese's finest film.
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