Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law ...
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Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the ... See full summary »
Tamara and Sasha were separated during the war. Now (1957) Sasha is visiting Moscow for five days and by chance recognizes the house where Tamara used to live. She is still living there with her nephew Slava.
St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' ... See full summary »
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the ... See full summary »
Young Siberian writer Volodya meets Kolya in the Moscow metro in his visit to a famous author. Volodya and Kolya's friend Sasha adventure their love interests in their own way, while Kolya sets out to help them.
Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his village with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things... See full summary »
Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant, ... See full summary »
Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law of one of the widow's admirers: a few years before, they had been idealistic lovers and now she can't believe he has settled for a dim wife and a job as a teacher. Amidst parlor games and idle talk of women's rights and peasants' capabilities, Sofia and Misha rekindle their love. Will they flaunt convention, abandon families, and run away to pursue lost dreams? Rescue comes from an unexpected place.Written by
In a scene towards the end of the film where Platonov storms down a hallway, he walks past a person just to his right who is clearly a crew member wearing modern clothing and holding a piece of equipment. See more »
The excellent scenario by Alexander Adabashyan is composed from an early Chekhov's play 'Platonov' together with some unpublished Chekhov stories and diaries. The story of Platonov (Alexander Kalyagin) disillusionment and loosing the love of his youth is created with a great skill. The perfect selection and performance of cast, subtle camera-work and a beautiful Russian nature as a background make film extremely enjoyable and convincing.
The portrayal of pre-revolutionary 'intelligentsia', the degraded nobility and arising peasants bourgeoisie is full of bitter sarcasm and irony, unfortunately comprehensible only to those familiar with Russian culture and language. The ostensible conflict between old stiff nobility and impotent trendy younger gentry movement - narodniks (populists) is shown with a splendid humor by two brilliant actors: Yury Bogatyryov (Sergei Voynicev) and Oleg Tabakov (Pavel Petrovich Sherbuk). One can easily see how much similar they are in fact.
This one of the best Nikita Mikhalkov's films is full of nostalgia and apprehensions about the role and fate of intelligentsia in the subsequent history of Russia. One can clearly sense the decline and decadence of pre-revolutionary life with the deep filling of oncoming tragedy hanging over the people, still enjoying their life as much as they can.
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