Pooh, a bear of very little brain, and all his friends in the Hundred Acre Wood sing their way through adventures that encompass honey, bees, bouncing, balloons, Eeyore's birthday, floods, and Pooh sticks.Written by
Some of the toys and furnishings shown in the main title sequence were also used in the Banks' nursery from Mary Poppins. See more »
During the "Honey Tree" chapter, as soon as Christopher Robin and Pooh's friends arrive at Rabbit's front door to pull Pooh out, Christopher Robin drops his drum sticks on the ground so he could grab Pooh. In the next shot, the sticks are gone. See more »
This could be the room of any small boy, but it just happens to belong to a boy named Christopher Robin. Like most small boys, Christopher Robin has toy animals to play with, and they all live together in a wonderful world of make-believe. But his best friend is a bear called Winnie the Pooh, or Pooh, for short. Now, Pooh had some very unusual adventures, and they all happened right here in the Hundred-Acre Wood.
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There are no end credits at the end of this feature. All credits are at the beginning of the feature. See more »
The version played on the Disney channel has an alternate final third than the theatrical version. In the Disney channel version, the "Tigger too" and "we say goodbye" segments are deleted, and they are replaced with the fourth "Winnie the Pooh" short, which wasnt previously included, "A day for Eeyore". This means it abruptly goes from Piglet saying "and Piglet too!" at the end of the "Blustery Day" segment, to the begining of "A day for Eeyore", and the film ends with that short. Previously, the scene continued, and Pooh introduced "Tigger too", which was followed by the "we say goodbye" sequence", and then the film ends. See more »
Wonderful evocations of the Pooh world, closely based on the originals
This film is actually comprised of three earlier featurettes ("Winnie the Pooh and the Honey Tree", "Winnie the Pooh and the Blustery Day", "Winnie the Pooh and Tigger, Too"), the first three of the four Disney efforts at filming the world of Winnie The Pooh which (the fourth was "A Day for Eyeore") that were closely based on specific A.A. Milne stories, and were excellently done. Despite not being drawn the way E. H. Sheppard originally illustrated them (which is, perhaps a loss), the characters are played with great respect for the way they were written. They have been Americanized in their speech, and they don't rely so much on the British comedy of manners that Milne mined so successfully, but they are quite solidly the same "people" they were in the books. Sterling Holloway is a marvelous Pooh whose his furry voice seems to convey both his outer softness and his mental fuzziness. Paul Winchell's Tigger is probably an improvement of the original, simply because words alone could never really convey Tigger's manic exuberance the way Winchell's performance does. Ralph Wright's Eyeore is a delight, and the other characters hold their own and uphold their tradition completely.
The one completely un-Milne touch that has been added seems to me entirely acceptable, too. This is the occasional presence, in the story, of the Narrator, whose intervention helps move the characters through some of the more difficult moments. It is a touch of gentleness that is not cloying at all, and is occasionally rather witty.
These stories are genuinely wholesome without being sticky. If you want to feed your kids entertainment that's truly funny, has decent human values, is completely free of potty jokes, and will stand up for 6-year-olds yet won't scare three-year-olds, it doesn't get much better than this.
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