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The Last Wave (1977)

A Sydney lawyer defends five Aboriginal Persons in a ritualized taboo murder and in the process learns disturbing things about himself and premonitions.

Director:

Peter Weir

Writers:

Peter Weir (screenplay), Tony Morphett (screenplay) | 1 more credit »

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4 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Chamberlain ... David Burton
Olivia Hamnett Olivia Hamnett ... Annie Burton
David Gulpilil ... Chris Lee (as Gulpilil)
Frederick Parslow Frederick Parslow ... Rev. Burton
Vivean Gray Vivean Gray ... Dr. Whitburn
Nandjiwarra Amagula Nandjiwarra Amagula ... Charlie
Walter Amagula Walter Amagula ... Gerry Lee
Roy Bara Roy Bara ... Larry
Cedrick Lalara Cedrick Lalara ... Lindsey
Morris Lalara Morris Lalara ... Jacko
Peter Carroll ... Michael Zeadler
Athol Compton Athol Compton ... Billy Corman
Hedley Cullen ... Judge
Michael Duffield Michael Duffield ... Andrew Potter
Wallas Eaton Wallas Eaton ... Morgue Doctor
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Storyline

A Sydney lawyer has more to worry about than higher-than-average rainfall when he is called upon to defend five Aboriginals in court. Determined to break their silence and discover the truth behind the hidden society he suspects lives in his city, the Lawyer is drawn further, and more intimately, into a prophesy that threatens a new Armageddon, wherein all the continent shall drown. Written by David Carroll <davidc@atom.ansto.gov.au>

Plot Summary | Add Synopsis

Taglines:

From the makers of 'Picnic at Hanging Rock' comes another terrifying and disturbing story See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Australia

Language:

English | Italian | Aboriginal

Release Date:

January 1979 (USA) See more »

Also Known As:

Black Rain See more »

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Box Office

Budget:

AUD 810,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Director Peter Weir asked tribal Aboriginal actors David Gulpilil and Nandjiwarra Amagula about the script and incorporated their reactions to the finished dialogue. See more »

Goofs

When Chamberlin's character leaves his office and drives in the rain the windshield wipers are moving at a fast rate. When the shot changes to inside the car the wipers are suddenly moving at a slower rate. See more »

Quotes

Chris Lee: Charlie is an owl. He can fly through the air. He can do many things. Lesson magic. He got the power. But you, I think you may be - mukuru.
David Burton: What is that?
Chris Lee: You different tribe... from another world... across the sea... from sunrise.
David Burton: Mukuru? Mukuru.
See more »

Connections

Spoofed in Making Weekend of Summer Last (1981) See more »

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User Reviews

 
The man who saw too much
19 January 2004 | by howard.schumannSee all my reviews

Richard Chamberlain is David Burton, a tax lawyer living in Sydney, Australia who is drawn into a murder trial defending five Aboriginal men accused of murdering a fellow native in Peter Weir's apocalyptic 1977 thriller The Last Wave. Taking up where Picnic at Hanging Rock left off, the film goes deeper into exploring the unknown and, in the process, shows the gulf between two cultures who live side by side but lack understanding of each others culture and traditions. Weir shows how white society considers the native beliefs to be primitive superstitions and believes that since they are living in the cities and have been "domesticated", their tribal laws and culture no longer apply.

From the start, Burton is drawn deeper and deeper into a strange web of visions and symbols where the line between real time and "dream time" evaporates. Water plays an important symbolic role in the film from the opening sequence in which a sudden thunder and hailstorm interrupts a peaceful school recess to Burton's discovery that his bathtub is overflowing and water is pouring down his steps. As violent and unusual weather continue with episodes of black rain and mud falling from the sky, the contrast between the facile scientific explanations of the phenomenon and the intuitive understanding of the natives is made clear. Burton and his wife Annie (Olivia Hamnet) study books about the Aborigines and learn about the role of dreams in the tribal traditions. When he invites one of his clients Chris Lee (David Gulpilil) to his home for dinner, he is disturbed to find that he is the subject of an inquiry by Chris and his friend Charlie (Nadjiwarra Amagula), an enigmatic Aborigine sorcerer involved with the defendants. As Burton's investigation continues, his clients make his work difficult by refusing to disclose the true events surrounding the murder.

After Chris starts to appear in his dreams, Burton is convinced that the Aborigine was killed in a tribal ritual because "he saw too much", though Chris refuses to acknowledge this in court. Burton, becoming more and more troubled by a mystery he cannot unravel, says to his stepfather priest, "Why didn't you tell me there were mysteries?" This is a legitimate question but, according to the reverend, the Church answers all mysteries. Burton knows now that he must discover the truth for himself and enters the tribal underground caves. Though we do not know for certain what is real and what is a dream, he comes face to face with his deepest fears in a haunting climax that will leave you pondering its meaning into the wee hours of the morning.

In this period of history in which native Hopi and Mayan prophecies predict the "end of history" and the purification of man leading to the Fifth World, The Last Wave, though 25 years old, is still timely. The Aborigines are portrayed as a vibrant culture, not one completely subjugated by the white man, yet I am troubled by the gnawing feeling that we are looking in but not quite seeing. Weir has opened our eyes to the mystery that lies beyond our consensual view of reality, but he perpetuates the doom-orientation that sees possibility only in terms of fear, showing nature as a dark and uncontrollable power without a hint of the spiritual beauty that lives on both sides of time.


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