Set in the Watts area of Los Angeles, a slaughterhouse worker must suspend his emotions to continue working at a job he finds repugnant, and then he finds he has little sensitivity for the family he works so hard to support.
An improvised late '60's short-subject student film, and debut movie of Director, Charles Burnett; done in the neo-realist, documentary film style. A day-in-the-life South Central L.A. tale... See full summary »
This critically acclaimed 1973 short is about an aristocratic white farming family who has a horse that is being put away, by the father of a young black boy named William. William cares ... See full summary »
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against influences which would dishonor and endanger him and his family.Written by
Jim Beaver <firstname.lastname@example.org>
The Library of Congress has declared "Killer of Sheep" as a national treasure and one of the first fifty on the National Film Registry. The National Society of Film Critics selected it as one of the "100 Essential Films" of all time. However, since the film was made without the proper legal permits and rights acquisition (due to the expense of the music rights) the film was never shown theatrically or made available on video. It had only been seen on poor quality 16mm prints at a scant few museums and film festivals. Thirty years after it's premiere the new 35mm print of Killer of Sheep was brilliantly restored by UCLA Film & Television Archive. In addition, all rights were secured for the music, allowing the film to be shown on the film festival circuit, theaters, and nationally broadcast by Turner Classic Movies. The film is also available on DVD. See more »
After Stan and his friend load the engine block on the truck, they drive away and it falls out, and a car is then seen parked along the curb. The car was not there when they carried the engine out. See more »
[to his older son]
You let anyone jump on your brother again, and you just stand and watch - boy, I'll beat you to death! I don't care who started what, or whether he was winnin' or losin'; well, you get a thick oh-oh-oh-oh-oh, a goddam brick, get *anything*, and you knock the shit out of whoever fightin' your brother! 'Cause if anything was to happen to me or your mother, you ain't got nobody except your brother. And this goes for him, too - and he knows! You're the one that keep ...
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Remarkable independent portrayal of Black urban life...
Somewhat reactionary to the black exploitation films that usually define the Black cinema experience in the 70's, Killer of Sheep presents a realistic portrait of a Black urban L.A. community. Burnett's method of telling a story, using the camera in the most unobtrusive manner, enlivens the film and draws the viewer into a world not frequently seen on film. Stan, the depressed insomniac lower middle-class worker struggles to provide for his family, love his wife and maintain responsibility to his community while haunted by the historical futility and impotence of the African American male. In Killer of Sheep, Burnett aptly demonstrates his knowledge of the cinema aesthetic and his proficiency with the camera while telling a most compelling story about the Black experience in America.
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