When Jimmy's idol, James Dean, dies on September 30, 1955, the small-town Arkansas college undergraduate goes berserk. He and his friends hold a vigil which turns into a drunk and, finally,... See full summary »
The younger son of a working-class Jewish family in Montreal, Duddy Kravitz yearns to make a name for himself in society. This film chronicles his short and dubious rise to power, as well ... See full summary »
During his summer vacation on Nantucket Island in 1942, a youth eagerly awaiting his first sexual encounter finds himself developing an innocent love for a young woman awaiting news on her soldier husband's fate in WWII.
Black Sunday is the powerful story of a Black September terrorist group attempting to blow up a Goodyear blimp hovering over the Super Bowl stadium with 80,000 people and the president of the United States in attendance.
Based very loosely on the intricate novel by Joanne Greenberg. A young woman's devotion to a childhood fantasy kingdom has taken over her entire life and causes her endless pain and degradation. Placed in a mental hospital, she has the great good fortune to have a truly caring therapist who tries to help her accept reality, even though reality isn't so great either.Written by
Molly Malloy <firstname.lastname@example.org>
In 1970, it was announced as a co-starring vehicle for Liza Minnelli and Estelle Parsons. See more »
In the New Year's party scene, Deborah is seen with loose hair talking to Dr. Fried and then there is close-up of Deborah with her hair pulled back from her forehead. See more »
You can turn me off, you know. You can go off with your friends and write another paper on schizophrenia and get an award for it. But I can't turn me off. So I'm calling off the fight.
So you quit. Stay in the nuthouse for the rest of your life.
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Deborah Blake (Kathleen Quinlan) is admitted to a country institution by her high street parents, unable to cope with the ignominy brought upon them, by her erratic, anti-social behaviour. Taunted by her inner-demons (to which we're treated inventively from the mind's eye perspective), she's gradually cajoled from her psychosis by the unassuming, yet fiercely determined treating doctor (Bibi Andersson delivering a warm, sympathetic performance). Along the journey, there's a couple of plot diversions, some poignant, others hackneyed and exploitative, but then would New World Pictures ever have made this movie without a stereotypical bully nurse scenario? Unlikely.
Roger Corman's production combines cinematic liberties with an at times reverent translation of the Hannah Green novel, creating a compelling B-movie drama and an unlikely companion in the mental illness sub-genre. A cynical viewer might postulate that Corman saw a payday following the success of "One Flew Over the Cukoo's Nest", and to an extent, this remains exploitative cinema. Quinlan's performance on the other-hand defies that brand, her characterisation personifies trauma and while often intense, isn't overcooked.
You have to commend New World Pictures for commissioning this release against type, especially when you consider it was straddled by "Hollywood Boulevard" and "Piranha" in the production line. Has a tendency to stigmatise in its representations of the subject matter, and not as sophisticated as, say, William Friedkin's ultra disturbing "Bug", "Rose Garden" thematically, probably nestles in between "Caged Heat" on the left, and "Cuckoo's Nest" on the right. A curious comparison to make, nevertheless, an enjoyable film in spite of its flaws.
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