An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
Dr. Richard Thorndyke arrives as new administrator of the Psychoneurotic Institute for the Very, VERY Nervous to discover some suspicious goings-on. When he's framed for murder, Dr. Thorndyke must confront his own psychiatric condition, "high anxiety," in order to clear his name. An homage to the films of Alfred Hitchcock; contains many parodies of famous Hitchcock scenes from THE BIRDS, PSYCHO, and VERTIGO.Written by
Scott Renshaw <firstname.lastname@example.org>
Numerous male actors in the film are either wearing hair pieces or have comb-overs, especially in the scenes at the institute. See more »
When the huge threatening note comes though the bathroom windows attached to a boulder, the lid of the toilet tank is knocked into a diagonal position. In close-up shots the tank lid is askew, but in long shots the tank lid is undisturbed. See more »
Groans galore...and what happened to Brooks' style?
At the beginning of "High Anxiety", Mel Brooks arrives at Los Angeles Airport and is lead into the men's restroom by a man who turns out to be a lisping flasher (an excruciating moment). Later in a cocktail lounge, he snaps a microphone cord like a whip and makes Madeline Kahn hyperventilate with passion. Brooks thinks he is so cute, both women AND men want him! It's this kind of egomania that drives "Anxiety" into the ground. The picture might have worked (it's a wacky spoof of Hitchcock moments), but not with this cornball script--nor with Brooks in the lead as a vertigo-prone psychiatrist. He flashes his overbite, mugs like a rubber man, and as the lead writer manages to give himself the final word on everything ("What a dramatic airport!"). The film is offensive visually and verbally--what happened to the style he gave pictures like "Young Frankenstein" and "Blazing Saddles"? This looks like a failed TV pilot. ** from ****
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