A psychiatrist with intense acrophobia (fear of heights) goes to work for a mental institution run by doctors who appear to be crazier than their patients, and have secrets that they are willing to commit murder to keep.
An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
Dr. Richard Thorndyke arrives as new administrator of the Psychoneurotic Institute for the Very, VERY Nervous to discover some suspicious goings-on. When he's framed for murder, Dr. Thorndyke must confront his own psychiatric condition, "high anxiety," in order to clear his name. An homage to the films of Alfred Hitchcock; contains many parodies of famous Hitchcock scenes from THE BIRDS, PSYCHO, and VERTIGO.Written by
Scott Renshaw <email@example.com>
Letting products appear in films (or television shows) was strictly regulated, and mostly not allowed. This film has fun with Madeline Kahn's character over-indulgent love of all things with labels - something which - had it not been done for comedic effect - been allowed. See more »
When Brophy tries to lift the rock in the bathroom, the toilet tank lid is clearly ajar. When the scene switches to the two-shot, the lid is properly in place. See more »
How did you, ummmm... get my room number? I am not going to listen to any more of this, I mean, I've had just about enough! What are you wearing? Jeans? You're wearing jeans? I bet they're tight.
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Mel Brooks' delirious comedy/thriller is a delight even if you're not already an Alfred Hitchcock fan--but if you *are,* you'll love it even more as you peg specific spoofs/references to such Hitch classics as SPELLBOUND, VERTIGO, THE MAN WHO KNEW TOO MUCH '56 (Brooks' piano bar rendition of the title song is the movie's highlight) and THE BIRDS. While Gene Wilder would've been perfect casting as acrophobic psychiatrist Dr. Richard H(arpo). Thorndyke, Brooks is nevertheless as irresistable as he is irrepressible, with Madeline Kahn a fine match for him as the flakiest mysterious blonde this side of Kim Novak. Brooks' stock company of Harvey Korman, Cloris Leachman, Ron Carey, and Howard Morris (as Professor Little-Old-Man, er, Lillolman) are in fine form. Like all of Brooks' best movies, the plot would work just fine as a straight thriller, and the spoofing is as affectionate as it is hilarious. It's a comedy to go crazy over!
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