Lemuel Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally minuscule rival Blefuscu.
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Title: Gulliver's Travels (1977)
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Cast
| Cast overview, first billed only: | |||
| Richard Harris | ... | Lemuel Gulliver | |
| Catherine Schell | ... | Mary | |
 |
Norman Shelley | ... | Father / animation voices |
| Meredith Edwards | ... | Uncle | |
| Michael Bates | ... | (voice) | |
|
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Denise Bryer | ... | (voice) |
| Julian Glover | ... | (voice) | |
|
|
Stephen Jack | ... | (voice) |
| Bessie Love | ... | (voice) | |
| Murray Melvin | ... | (voice) | |
| Nancy Nevinson | ... | (voice) | |
|
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Robert Rietty | ... | Reldresal / King of Blefuscu (voice) |
| Vladek Sheybal | ... | (voice) | |
|
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Roger Snowdon | ... | (voice) |
|
|
Bernard Spear | ... | (voice) |
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Plot Summary
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Storyline
Lemuel Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally minuscule rival Blefuscu.
Plot Keywords:
gulliver | reference to gulliver | reference to gulliver's travels | liliputians | giant |Parents Guide:
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See full technical specs »
Details
Language:
EnglishRelease Date:
January 1981 (USA) See more »Also Known As:
Gulliver See more »Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
MonoColor:
Color (Eastmancolor)
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Did You Know?
Trivia
In 1968 , this was announced as a Kirk Douglas project. See more »Goofs
At the beginning of the film, Bristol is shown as a coastal city. While the city does have docks and a harbor (it's situated on the River Avon), it's a good 30 minutes drive to the coast. See more »Frequently Asked Questions
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This was painful! Recently given away as a free DVD with a British newspaper, this British-Belgian co-production from 1977 (could've fooled me, it looks ten years older than that at least) is quite deservedly obscure and if you make it past the half-hour mark, consider yourself a trouper. The combining of animation and live action is ropey at best and downright dreadful at worst, which makes you wonder why it was decided to even attempt making the film in this manner when clearly the technology wasn't really there. Harris is no more than a human prop and the animation is some of the most flat and lifeless I've seen, with the obligatory 'trippy' moments (especially where the animation of the brainiac-type Subtracto character is involved) that rendered countless cartoon features from the late sixties onward instantly dated. The screenplay by Don Black provides a convincing argument for the usually resilient lyricist to stick to what he does best, and the pace is so slow that even the very young will be bored. As for adults, stick to Jonathan Swift's original novel.