Grand Theft Auto

Nutty, non stop laughfest depicting 2 idealistic, love struck teens determined to make it to Vegas to be wed against the wishes of the bride's parents. This sets off a huge manhunt for the pair by any and every breed of looney, each intent on cashing in on the 25K reward. Never have I seen this many wrecks; dozens and dozens, maybe more. Kooky comedy at it's best.

This movie will never be remembered as great filmmaking, but it's sure to go down in history as an eerily accurate time capsule of the 1970's. The seventies, a time when, despite the depressingly high crime rate, people left their keys in the ignition without giving it a second thought; when cars were stolen so often we considered them communal property.(By the way, if you're ever the victim of a car theft, stand in the road shaking your fist as the car drives off, then yell 'come back here!' as loudly as possible. This is sure to get your car back.)The seventies were a magical time, when gubernatorial candidates wore jumpsuits without fear of ridicule and kept hired goons on retainer; when towns had only one radio station and we all listened to it; when whiny polo players were considered good catches.

And the car chases! Every day and twice on holy days, my Dad would tell me. Many times, while driving to his job as Jack Lord's shoe buffer, he would come across an impromptu car chase headed to Las Vegas or Tahiti or some other fun place and you better believe he joined in! He would be gone for weeks at a time but we always understood. Mom and I were never worried about him; we could follow his progress from the constant radio reports given by the DJ flying overhead. In the seventies, radio stations thought nothing of scrapping their entire playlist and sending up a fleet of helicopters manned by skinny DJs in smoked glasses to spend days covering a car chase while whole police forces sat idly by, except for that one wacky policeman who always seemed to show up carrying some personal vendetta against one of the chasers and was in way over his head but didn't know it because he wasn't too bright but we understood and we loved him anyway.

Because it was the seventies.

"Grand Theft Auto" is Ron Howard's second attempt at a car chase n' crash movie. It is a lot better than his first, "Eat my Dust", but it still isn't the best. The plot is that a girl runs away to Las Vegas with a guy she likes, and is being Chased down by her parents, a jealous lover, cops, and many other randos trying to collect a bounty on them. The script writing wasn't the best. It starts off good enough, then downgraded to just being jam packed with stuff, and by stuff I mean excuses to put car crashes and stunts. The car action was really nice, but it gets old after a while. Near the end, a lot of sense in writing and direction is lost, rather just being cars mindlessly crashing into each other. There are some pros to the script, as every once in a while you'll get a funny joke. The the cast of characters participating in the chase Aren't the best people. They aren't really fleshed out, and there's way too many of them. By the end, over 20 people are chasing and racing against each other, and after a while I just stopped keeping track of them. The acting saved this film a bit. Overall, a wild car action comedy, jam packed with cars, crashes, and explosions.

I've never considered Howard much of a director - and I only rented this, his debut feature, because I've been on a 'grindhouse' kick ever since I watched the recent Robert Rodriguez/Quentin Tarantino homage! Made for Roger Corman's low-budget outfit (he explains how it all came about in the accompanying interview), this road movie on the lines of VANISHING POINT (1971) and THE SUGARLAND EXPRESS (1974) evolves into one uninterrupted chase along the American midwest. It's undeniably enjoyable on a non-think level, relying on an endless stream of energetic stunts (mostly gratuitous car crashes and explosions) to carry its thin plot as far as it can go. Howard also took the lead role and co-wrote the script with his father Rance; fellow cast members from Howard's popular HAPPY DAYS TV series also put in appearances…and there's even a cameo by director Paul Bartel! The technical crew holds some surprise: Allan Arkush (who later helmed the Corman-produced ROCK 'N' ROLL HIGH SCHOOL [1979]) served as second-unit director, Gary Graver (best-known for his collaborations with Orson Welles) was the cinematographer, and Joe Dante (even after having started his own directorial career) edited the film!

Ron Howard's directorial debut (in which he also stars) is a pretty good piece of drive-in movie fun, with a silly but fast-paced story and enough car chases and crashes to keep those who go for this kind of thing plenty satisfied. A handful of familiar faces in amusing cameos add to the fun.