A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
In Phoenix, the alcoholic and mediocre detective Ben Shockley is assigned by the Chief Commissary Blakelock to bring the witness Gus Mally from Las Vegas for a minor trial. Shockley travels to Vegas and finds that Gus Mally is an aggressive and intelligent prostitute with a college degree and she tells him that the odds are against her showing up in court. Shockley learns that she will actually testify against a powerful mobster and the mafia is chasing them trying to kill them both. He calls Blakelock and request a police escort from Phoenix to protect them. But soon he discovers that someone is betraying him in the police department. Now, Shockley and Malley hijack a bus and Shockley welds thick steel plates and transforms the cabin in an armored bus trying to reach the Forum. But they will need to drive through a gauntlet of police officers armed with heavy weapons.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Shockley tells the remaining bikers to leave a motorcycle for him, he points his revolver at the bikers - but the chambers are obviously empty. See more »
I was reading this article and it talked about flying. Said we'd all become just like cattle, trusting our lives to people we don't even know. Like pilots. Said we do it all the time. And like as not, we get our heads bashed in, like cattle, for being so trusting. I mean, did you ever stop to think about that? Like those pilots I dated - - hell, this article said half those guys are so snockered they don't even know what button to push. I mean hell, one minute you are flying 30,000 feet in the ...
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A disclaimer at the end reads: "Law enforcement procedures depicted in this film do not necessarily represent those of any law enforcement agency mentioned herein." See more »
Back in 1978 Norwegian cinema version was cut to get an 16 rating, later video rental version and DVD version are uncut. See more »
Theatre of the absurd -- Clint-style. This fast-paced, mindless, often silly film always remains true to itself, and thus succeeds on its terms. Excessive violence is used repeatedly as a metaphor for absurdity. William Prince and his protege who plays Federspiel are two of the most memorable malevolent bureaucrats in film history. Supporting cast members are all in on the joke, and play it for all its worth -- even the usually uptight Sondra Locke scores wonderfully in this one. I usually abhor excessive violence, but this film really uses it for laughs. A guilty pleasure.
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