A mean trashy exploitation picture about three convicts who escape from jail and hole up at the house of a black minister. There are a few nasty scenes where the minister's family is being ...
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In 1700s Austria, a witch-hunter's apprentice has doubts about the righteousness of witch-hunting when he witnesses the brutality, the injustice, the falsehood, the torture and the arbitrary killing that go with the job.
A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
A mean trashy exploitation picture about three convicts who escape from jail and hole up at the house of a black minister. There are a few nasty scenes where the minister's family is being repeatedly terrorized by the thugs. In the end the minister turns the tables on the 3 convicts and gives them their just desserts.Written by
Sujit R. Varma
The film was rejected for a UK cinema certificate in 1981 by the BBFC and later ended up on the DPP 72 list of official video nasties. See more »
The first time we see the Turner family's pet dog on the couch, a wire is seen and a hand to the left of the screen is clearly moving up and down. The wire is attached to the dogs tail and is being used to wag its tail, suggesting the dog is being friendly. See more »
This is a pretty nasty piece of work that is nevertheless well made and effective. Race, rape and revenge but much more too when a modest God fearing black family are set upon by three escaped convicts who don't seem to like each other much more than do their captives. Much racist abuse and humiliation, though this all gets reversed as the family regain the upper hand and the 'by the book' cop makes an exception and allows the revenge to run it's course. Vile, exciting, hateful and touching by turns this is a very unusual, though non the more likable piece of exploitation cinema. Absolutely no way this film would be even considered today let alone be made and yet, in its own way it draws attention to that unspeakable prejudice within us all.
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