
Exorcist II: The Heretic (1977)
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- R
- 1h 57min
- Horror
- 17 Jun 1977 (USA)
- Movie
- 3 nominations.
- See more »
Photos and Videos
Cast verified as complete
Linda Blair | ... |
Regan
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Richard Burton | ... |
Father Lamont
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Louise Fletcher | ... |
Dr. Gene Tuskin
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Max von Sydow | ... |
Father Merrin
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Kitty Winn | ... |
Sharon
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Paul Henreid | ... |
The Cardinal
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James Earl Jones | ... |
Older Kokumo
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Ned Beatty | ... |
Edwards
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Belinda Beatty | ... |
Liz
(as Belinha Beatty)
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Rose Portillo | ... |
Spanish Girl
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Barbara Cason | ... |
Mrs. Phalor
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Tiffany Kinney | ... |
Deaf Girl
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Joey Green | ... |
Young Kokumo
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Fiseha Dimetros | ... |
Young Monk
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Ken Renard | ... |
Abbot
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Hank Garrett | ... |
Conductor
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Lorry Goldman | ... |
Accident Victim
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Bill Grant | ... |
Taxi Driver
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Shane Butterworth | ... |
Tuskin Child
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Joely Adams | ... |
Tuskin Child
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Charles Parks | ... |
Minor Role
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Richard Paul | ... |
Man on the Plane
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Robert Lussier | ... |
Minor Role
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George Skaff | ... |
Minor Role
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Rest of cast listed alphabetically: | |||
Philip Ettington | ... |
Patient (uncredited)
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Raven Grey Eagle | ... |
Native (uncredited)
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Kelley Karel | ... |
Singer (uncredited)
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Karen Knapp | ... |
Pazuzu (uncredited)
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Marianne Muellerleile | ... |
Patient (uncredited)
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Dana Plato | ... |
Sandra Phalor (uncredited)
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Directed by
John Boorman | ... | (directed by) |
Rospo Pallenberg | ... | (uncredited) |
Written by
William Goodhart | ... | (written by) |
Rospo Pallenberg | ... | () (uncredited) |
Produced by
John Boorman | ... | producer (produced by) |
Richard Lederer | ... | producer (produced by) |
Charles Orme | ... | associate producer |
Music by
Ennio Morricone | ... | (music composed and conducted by) |
Cinematography by
William A. Fraker | ... | director of photography |
Editing by
Tom Priestley | ... | (edited by) |
John Merritt | ... | (uncredited) |
Editorial Department
Axel Hubert Sr. | ... | associate editor (uncredited) |
Ron Spang | ... | assistant editor (uncredited) |
Casting By
Mary Goldberg | ... | (uncredited) |
Alan Shayne | ... | (uncredited) |
Production Design by
Richard Macdonald |
Art Direction by
Jack T. Collis |
Set Decoration by
John P. Austin | ... | (as John Austin) |
Costume Design by
Robert De Mora |
Makeup Department
Ron Berkeley | ... | makeup artist: Mr. Burton |
Wayne Edgar | ... | makeup artist |
Lynda Gurasich | ... | supervising hair stylist |
Gary Liddiard | ... | makeup supervisor |
Dick Smith | ... | special makeup effects artist |
Carrie White | ... | additional hair stylist |
Gae Clark Butler | ... | second hairdresser (uncredited) |
Terry Miles | ... | second makeup artist (uncredited) |
Production Management
John R. Coonan | ... | unit production manager (as John Coonan) |
William C. Gerrity | ... | unit production manager: New York (as William Gerrity) |
Second Unit Director or Assistant Director
Victor Hsu | ... | second assistant director |
Rospo Pallenberg | ... | second unit director |
Phil Rawlins | ... | assistant director |
William S. Beasley | ... | dga trainee (uncredited) |
Art Department
Katrine Boorman | ... | draughtsman: Regan's drawings (as Kathrin Boorman) |
Harold Broner | ... | construction coordinator |
Richard Lawrence | ... | assistant art director |
Richard M. Rubin | ... | property master |
Gene Rudolf | ... | art director: New York |
Glen R. Feldman | ... | leadman (uncredited) |
Douglas Forsmith | ... | assistant property master (uncredited) |
Bill Gold | ... | poster designer (uncredited) |
Dean Edward Mitzner | ... | assistant art director (uncredited) |
David Moll | ... | second assistant property master (uncredited) |
Peter R. Romero | ... | assistant art director (uncredited) |
Walter Wylie | ... | construction coordinator (uncredited) |
Sound Department
Jim Atkinson | ... | sound effects editor |
Les Fresholtz | ... | re-recording mixer |
Walter Goss | ... | sound mixer |
Russ Hill | ... | synchronization effects editor |
Michael Minkler | ... | re-recording mixer |
Arthur Piantadosi | ... | re-recording mixer |
Al Boyle | ... | boom operator (uncredited) |
Collins Shields | ... | cableman (uncredited) |
Special Effects by
Jim Blount | ... | special effects |
Wayne Edgar | ... | special effects |
Chuck Gaspar | ... | special effects |
Jeff Jarvis | ... | special effects |
Roy Kelly | ... | special effects |
Richard Ratliff | ... | special effects |
Wayne Beauchamp | ... | special effects crew (uncredited) |
Gerry Johnston | ... | special effects supervisor (uncredited) |
Ted Koerner | ... | special effects (uncredited) |
Visual Effects by
Bill Hansard | ... | process consultant |
Albert Whitlock | ... | special visual effects (as Albert J. Whitlock) |
Henry Schoessler | ... | matte crew (uncredited) |
Albert Whitlock | ... | matte artist (uncredited) |
Stunts
John Ashby | ... | stunts (uncredited) |
May Boss | ... | stunts (uncredited) |
Whitey Hughes | ... | stunt coordinator (uncredited) |
Bennie Moore | ... | stunts (uncredited) |
Camera and Electrical Department
Arthur Brooker | ... | key grip (as Art Brooker) |
Garrett Brown | ... | steadicam operator |
Diane Eddy | ... | camera operator: second unit |
Ken Eddy | ... | camera operator: second unit |
Bill Krattiger | ... | lighting technician |
Nick McLean | ... | camera operator |
Sean Morris | ... | special photographer: Locust |
Doug Pentek | ... | gaffer |
David L. Quaid | ... | camera operator: second unit (as David Quaid) |
Chris Schwiebert | ... | camera operator |
Dave Thompson | ... | special photographer: Locust |
Ronald L. Vargas Jr. | ... | first assistant camera (as Ron Vargas) |
Gerald H. Boatright | ... | second best boy (uncredited) |
Michael B. Corbett | ... | lighting technician (uncredited) |
Ray De La Motte | ... | first assistant camera (uncredited) |
Adam Glick | ... | set lighting technician (uncredited) |
Frank Lambers | ... | grip best boy (uncredited) |
Gary Stark | ... | set lighting technician (uncredited) |
Chris Strong | ... | electrician (uncredited) |
Orlando Suero | ... | still photographer (uncredited) |
Don Yamasaki | ... | best boy (uncredited) |
Costume and Wardrobe Department
Betsy Cox | ... | costume supervisor |
Bruce Walkup | ... | costume supervisor |
Bill Milton | ... | costumer (uncredited) |
Location Management
John James | ... | location manager |
Music Department
Harper MacKay | ... | choral director |
Eugene Marks | ... | music editor (as Gene Marks) |
Ennio Morricone | ... | conductor / orchestrator |
Dan Wallin | ... | score mixer |
Gloria O'Brien | ... | singer: theme music (uncredited) |
Brandon Quinn | ... | choral singer (uncredited) |
Sally Stevens | ... | singer (uncredited) |
Louise Di Tullio | ... | musician: flute (uncredited) |
Script and Continuity Department
Bonnie Prendergast | ... | script supervisor |
Transportation Department
Joe Gary | ... | transportation co-captain (uncredited) |
Richard Padgett | ... | transportation captain (uncredited) |
Additional Crew
Fiseha Dimetros | ... | technical consultant: Africa (as Fisha Dimetros) / technical consultant: Africa |
Daniel Joseph Giaghi | ... | choreographer: tap dance routine |
Steven R. Kutcher | ... | entomologist |
Andrea Nachman | ... | production secretary |
Rospo Pallenberg | ... | creative associate |
Dan Perri | ... | title designer |
Melissa Skoff | ... | secretary to director |
Kenneth Fineman | ... | hypnosis consultant (uncredited) |
Ardie Ivy | ... | assistant: AFI (uncredited) |
Geri Jacobson | ... | co-production secretary (uncredited) |
Ramon Pahoyo | ... | craft service (uncredited) |
Carol Riggins | ... | animal trainer (uncredited) |
Thanks
Tom Culla | ... | special thanks (as Tommy Culla) |
Michael Dryhurst | ... | special thanks |
Peter MacDonald | ... | special thanks |
Geoffrey Unsworth | ... | special thanks |
Production Companies
Distributors
- Warner Bros. (1977) (United States) (theatrical)
- Columbia-Warner Distributors (1977) (United Kingdom) (theatrical)
- Warner Bros. (1977) (Japan) (theatrical)
- Warner Bros. (1977) (West Germany) (theatrical)
- Warner-Columbia Film (1977) (Sweden) (theatrical)
- Warner-Columbia Films (1977) (Finland) (theatrical)
- Columbia-Warner Filmes de Portugal (1977) (Portugal) (theatrical)
- Warner Bros. Pictures (1978) (India) (theatrical) (as Warner Bros F. E. Inc.)
- Warner Bros. (1978) (France) (theatrical)
- Warner Bros. (1978) (Mexico) (theatrical)
- Warner Bros. (1978) (Norway) (theatrical)
- Warner Española S.A. (1978) (Spain) (theatrical)
- Home Box Office (HBO) (1978) (United States) (tv)
- CBS (1980) (United States) (tv) (broadcast premiere)
- Tokyo Broadcasting System (TBS) (1981) (Japan) (tv)
- Warner Home Video (1981) (West Germany) (VHS)
- Warner Home Video (1983) (United States) (VHS)
- Audio Visual Enterprises (1985) (Greece) (VHS)
- Scanvideo (Finland) (VHS)
- Warner Home Video (Netherlands) (VHS)
- Warner Home Vídeo (Brazil) (VHS)
- Veronica Omroep Organisatie (1987) (Netherlands) (tv)
- VideoVisa (1991) (Mexico) (VHS)
- The Sci-Fi Channel (1996) (United States) (tv)
- Warner Home Video (2001) (Mexico) (VHS) (re-release)
- Sandrew Metronome Distribution (2002) (Finland) (DVD)
- Warner Bros. Korea (2002) (South Korea) (DVD)
- Warner Home Video (2002) (United States) (DVD)
- Warner Home Vídeo (2002) (Brazil) (DVD)
- Mainostelevisio (MTV3) (2003) (Finland) (tv)
- Sandrew Metronome Distribution (2003) (Finland) (DVD) (3-disc The Exorcist DVD Trilogy)
- Warner Home Video (2003) (Germany) (DVD)
- Warner Home Video (2004) (Netherlands) (DVD)
- Sub (2008) (Finland) (tv)
- Warner Home Video (2009) (United States) (DVD)
- Warner Home Video (2014) (Mexico) (Blu-ray)
- Warner Home Video (2014) (Germany) (Blu-ray) (DVD)
- Warner Home Video (2014) (United States) (Blu-ray) (DVD)
- Warner Home Vídeo (2014) (Brazil) (Blu-ray)
- Scream Factory (2018) (United States) (Blu-ray) (collector's edition)
- MonsterVision (United States) (tv)
- Warner Home Video (Finland) (VHS)
Special Effects
- Van der Veer Photo Effects (special visual effects)
Other Companies
- Oxford Scientific Films (special locust photography)
- Technicolor (color)
- Panavision (camera equipment provided by)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of)
- Blowitz & Canton (public relations)
- Perseverance Records (soundtrack: re-release)
- Warner Bros. Records (soundtrack)
Storyline
Plot Summary |
Dr. Gene Tuskin works with troubled children, perhaps none more troubled than Regan MacNeil, who suffers from bad dreams and repressed memories. The memories she represses are of the time she was possessed by a demon. Dr. Tuskin's invention, a device that hypnotizes two persons and links their minds together, reveals that the demon, named Pazuzu, still lurks within her. It is desperate to emerge again and wreak havoc. Meanwhile, Father Philip Lamont is ordered by his cardinal to investigate the death of Father Merrin, the priest who died while performing an exorcism on Regan. Father Lamont undertakes his task reluctantly. He feels unworthy of his assignment. He also feels that Evil is literally an entity and that this entity is winning the battle over Good. His investigation takes him to Africa where he locates another recipient of Merrin's exorcising and learns something fascinating and terrible about locusts. Written by J. Spurlin |
Plot Keywords | |
Taglines | The evil lives on. . .can it be stopped? See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Box Office
Budget | $14,000,000 (estimated) |
Opening Weekend United States | $6,735,000, 19 Jun 1977 |
Did You Know?
Trivia | The original cast and crew of The Exorcist (1973) were very much opposed to a sequel. William Friedkin and William Peter Blatty actually met to discuss ideas at one point, but when they failed to develop a suitable premise, they abandoned the project. Both Linda Blair and Ellen Burstyn turned down repeated offers by the studio, though Blair eventually agreed to return when presented with what she considered a good script. However, according to Blair, due to various rewrites the script ended up a total mess. By that point, however, she was contractually bound to a sequel, and unable to drop out of the project. See more » |
Goofs | The institution where Regan receives treatment has glass offices in which you can see the patients and their counselors with the only privacy being offered is by audio. Glass rooms in actual institutions usually have blinds/ curtains to provide visual privacy. See more » |
Movie Connections | Edited into Exorcist II: The Heretic: Alternate Opening (1977). See more » |
Soundtracks | Lullaby of Broadway See more » |
Crazy Credits | Tap Dance Routine Choreographed by Daniel Joseph Giaghi See more » |
Quotes |
Regan MacNeil:
What's the matter with you? Sandra Phalor: [hesitant, stuttering] I'm autistic. Regan MacNeil: How do you mean? Sandra Phalor: I'm withdrawn. I can't talk. Regan MacNeil: But you're talking now. [shakes head no] Regan MacNeil: Yes, you are. I can hear you. Sandra Phalor: You can hear me? Regan MacNeil: Sure! Sandra Phalor: [pause] What's the matter with you? Regan MacNeil: I was possessed by a demon. Oh, it's okay. He's gone! See more » |