7.5/10
529
4 user 6 critic

Elisa, vida mía (1977)

Elisa has not seen her father Luis for nine years, but she receives a telegram from her sister Isabel in a moment of crisis of her marriage with Antonio telling that her father is ill and ... See full summary »

Director:

Carlos Saura

Writers:

Carlos Saura (screenplay), Carlos Saura (story)
Reviews
2 wins & 1 nomination. See more awards »

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Cast

Cast overview:
Fernando Rey ... Luis
Geraldine Chaplin ... Elisa / Madre de Elisa
Isabel Mestres ... Isabel
Joaquín Hinojosa ... Julián
Norman Briski ... Antonio
Francisco Guijar Francisco Guijar ... Médico
Arantxa Escamilla Arantxa Escamilla ... Niña Isabel
Jacobo Escamilla Jacobo Escamilla ... Niño
Ana Torrent ... Niña Elisa
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Storyline

Elisa has not seen her father Luis for nine years, but she receives a telegram from her sister Isabel in a moment of crisis of her marriage with Antonio telling that her father is ill and she decides to travel to the countryside of Madrid with Isabel and her brother-in-law Julián and their two children to visit Luis for his birthday. Elisa decides to stay with his father when her sister returns to Madrid with her family and she gets closer to Luis, understanding why he left her mother years ago. Later she tells him that Antonio cheated her with her best friend Sophie and their relationship has ended. When Antonio unexpectedly arrives in the house, Elisa takes a decision about her life. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

Spain

Language:

Spanish | English

Release Date:

21 April 1977 (Spain) See more »

Also Known As:

Elisa - elämäni See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)
See full technical specs »
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Did You Know?

Connections

Referenced in La momia nacional (1981) See more »

Soundtracks

Gnossienne No. 3
Composed by Erik Satie
See more »

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User Reviews

 
A concealed jewel
24 January 2005 | by jackushSee all my reviews

The fact that this is the very first commentary here shows that we don't deal with one of the most famous movies of the great Spanish master, and this fact is really stunning. Even if not set in the dance medium, especially flamenco and tango, with which Saura is generally linked, this movie is highly personal. Saura is one of the very few directors who succeed to be very national in its cinematographic language."Elisa" is no exception: the outdoor images, looking like De Greco and Goya paintings, the stunning performance of the actors remembering sometimes flamenco intensity, give to this movie a glorious cinematographic presence. The issue which stands in the center of this movie is a universally and uneasy one: the relation between father and daughter. Saura knows to avoid a tabloid depiction of this relation, although it doesn't avoid the border-line oedipal tensions. Throughout settled mostly in a chamber-music like duet, it doesn't have the claustrophobic Bergman character. The movie is a love duet, with its aggressive and passionate outcome. Awesome experience. .


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