Paholainen luultavasti

Name: Le diable probablement
Genre: Drama
Released: 1979-10-19
Duration: 1 h 35 min
Rating: 7.1
Cast: Antoine Monnier, Tina Irissari, Henri de Maublanc

Original title: Le diable probablement

19771977
K-16K-16
1h 35m

IMDb RATING

YOUR RATING

Charles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, he... Read allCharles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, he decides that suicide is the only option...Charles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, he decides that suicide is the only option...

IMDb RATING

7.1/10

4.1K

YOUR RATING

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Awards
- 4 nominations

Videos1

Trailer 2:22

Trailer

Photos65

Tina Irissari and Antoine Monnier in Paholainen luultavasti (1977)

Antoine Monnier in Paholainen luultavasti (1977)

Laetitia Carcano and Antoine Monnier in Paholainen luultavasti (1977)

Laetitia Carcano and Tina Irissari in Paholainen luultavasti (1977)

Laetitia Carcano, Tina Irissari, and Antoine Monnier in Paholainen luultavasti (1977)

Nicolas Deguy and Antoine Monnier in Paholainen luultavasti (1977)

Storyline

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Did you know

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Trivia
The critic J. Hoberman described the movie with one sentence: "A Dostoyevskian story of a tormented soul, presented in the stylized manner of a medieval illumination."

Quotes
Charles: To reassure people, you only have to deny the facts.

Connections
Edited into Histoire(s) du cinéma: Une histoire seule (1989)

Soundtracks
Ego Dormio
Music by Claudio Monteverdi (as Monteverdi)
Orchestration by R.P. Émile Martin (as R.P. Martin)

User reviews17

Review

Featured review

10/10

Self-destruction

The main character in this movie, who is 'more intelligent than the other ones' is confronted with political, psychoanalytical and religious gibberish, the misuse of scientific discoveries for the fabrication of deadly weapons (atomic bombs), economic (unrestrained growth, drugs) and environmental (pesticides) catastrophes, ridiculous police interventions and relational difficulties (real love is impossible).

Faced with a devastating human habitat, the 'hero' of the film can only choose the ultimate solution, in the ancient way. This movie (a formidable uppercut) should not only be characterized as a masterpiece, but above all, as a very serious wake-up call for all human beings, and, in the first place, for its fundamentally diabolic masters. For Robert Bresson, man himself is the devil, and not probably. His destructive actions are nothing less than a global planetary suicide. A must see.

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