6.7/10
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Spoiled Children (1977)

Des enfants gâtés (original title)
A touching portrait of modern life, whether showing the human dimension of large issues, or deftly detailing the intimate reverberations of a casual love affair.

Director:

Bertrand Tavernier
Reviews
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Michel Piccoli ... Bernard Rougerie
Christine Pascal Christine Pascal ... Anne Torrini
Michel Aumont ... Pierre
Gérard Jugnot ... Marcel Bonfils
Arlette Bonnard Arlette Bonnard ... Catherine Rougerie
Liza Braconnier Liza Braconnier ... Danièle Joffroy
Geneviève Mnich Geneviève Mnich ... Guite Bonfils
Florence Haguenauer Florence Haguenauer ... Anne-Marie Clairon
Claudine Mavros Claudine Mavros ... La mère d'Anne
Michel Berto Michel Berto ... Muzard
Thierry Lhermitte ... Stéphane Lecouvette
Georges Riquier Georges Riquier ... Mouchot
Gérard Zimmermann Gérard Zimmermann ... Patrice Joffroy (as Gérard Zimmerman)
Michel Blanc ... Le jeune homme de l'agence
Brigitte Catillon Brigitte Catillon ... Valérie
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Storyline

Bernard, a famous filmmaker, is married to Catherine, a psychologist who cares for children with autism. In a crisis of creativity, in loss of emotions, he leaves his family environment and rents an apartment in the district of Grenelle, without worrying too much about the high charges that his new owner asks him. From the first night, Anne, her neighbor, a young unemployed woman, rings at her door. The tenants decided to rebel. A meeting is organized. Seduced by the young woman, who soon becomes his mistress, he accompanies her in her fight. Written by lament

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

France

Language:

French

Release Date:

7 September 1977 (France) See more »

Also Known As:

Spoiled Children See more »

Filming Locations:

Paris, France

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)
See full technical specs »
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Did You Know?

Connections

References To Have and Have Not (1944) See more »

Soundtracks

Paris Jadis
Music by Philippe Sarde
Performed by Jean Rochefort and Jean-Pierre Marielle
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User Reviews

spoiled children
4 December 2002 | by petershelleyauSee all my reviews

The `spoiled' of the title is used in its various senses in the treatment written by director Bertrand Tavernier, actress Christine Pascal, and Charlotte Dubriel. The children treated by Catherine Rougerie (Arlette Bonnard) are spoiled because they have `blocked communication'. The tenants of the building where Catherine's writer/director husband Bernard (Michel Piccoli) resides for work purposes are spoiled as they are abused by their landlord. Bernard in his relationship with the unemployed tenant Anne (Pascal) is spoiled since the affair is an indulgence, where he `risks nothing'. Bernard moving to the unit to work is not an overt comment on his marriage, it is just a way of working, and the affair with Anne is more convenient than passionate, at least for him. This, and Anne's situation determine the finite nature of their love. And although the Tenants Defence Committee action brings Anne to Bernard, it and Catherine's teaching and even the film Bernard is writing remain sub-plots, to the affair.

Tavernier also does not present the lovers equally - Piccoli is barely in the love scenes, the most we see is his bare chest with an undone shirt, whereas Pascal is exposed in full frontal nudity. Pascal's gallic urchin child quality, with eye-lined eyes and submissive posture, could recall someone like Audrey Hepburn if the director were interested in presenting her as attractive. However the screenplay's association of love with death and knives and rust clues us into Tavernier's stance. Anne is like the other sad Parisians who are seen in vista as La Traviata plays on the soundtrack.

Although Tavernier's view of urban ugliness is a nice change to his Renoir-ish representation of rural beauty, his films always read as too long. Here he uses hand-held and subjective camera, natural lighting, and a narration which comes from nowhere. The only redeeming qualities are Piccoli's angry outbursts which are funny, Anne throwing food in response to her ex-boyfriend's arrogance, and spotting Isabelle Huppert's cameo.


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