The Lacemaker

Beatrice is a very reserved and quiet young woman. Her friend Marylene is left by her lover and brings her to Cabourg (Normandy) for a few days' vacation. There, Beatrice, an apprentice hairdresser, meets Francois, a middle-class intellectual. Francois becomes her first lover, but their social and cultural differences get in the way of happiness.

This film is highly praised and indeed it is a pretty good film. Not my favorite, not one I am likely to recommend to others, but a fine film just the same. What I liked most is that the movie says it is okay to be an introvert, to be a wallflower, to be a loner. Other movies might have a shy kid breaking out of their shell, but here we have Beatrice who knows who she is and is (for the most part) very comfortable about it.

"La dentelliière" is "Pretty woman" (1990, Garry Marshall, difference between man and woman in wealth) or (even more) "My fair lady" (1964, George Cukor, difference between man and woman in education) without an happy end.

A student falls in love with a hairdresser. His attempts to "upgrade" her are not only an insult for the woman, but in so doing the man also destroys the woman he is in love with.

The introvert woman is played by a young Isabelle Huppert and it is hard to believe that only a year later she would play a very cynical person in "Violette Nozière" (1978, Claude Chabrol).

The film is rich in brilliant scenes. I just mention a few. (1) After meeting each other for the first time the man and the woman are searching for each other. Because each of them is looking at places where he/she expects the other they don't find one another. (2) The man introducing the woman to his parents. The father in law likes his daughter in law from the first moment. The mother in law keeps asking questions about her education and carreer opportunities. (3) The man is having heavy philosophical discussions with his study friends. When the woman aks afterwards what al these discussions were about, he is not capable of explaining it in normal words.

The film ends with a close up renimiscent of "The 400 blows" (1959, Francois Truffaut).

There is something very beautiful about it though I feel I can't just put my finger on it but it is super simple yet super effective and impacting movie and performance especially by Isabelle Huppert...she is so vulnerable, simple, sad and natural...

The student from Paris and his friends are intellectuals. He reads Le Monde. He is stamped by his background. The girl is in love with love. Everywhere she turns, there is love and passion evident, even through the hotel's thin walls. She only wishes to please and outwardly doesn't project herself as a self-regulated person. Her lower class background is clear before she goes on vacation where she meets the student. Although they stay in the same hotel, this is about the only thing they have in common beside the bed they share, but being removed from their normal lives just delays the obvious. Love is idyllic at first for everyone. She is hopelessly adrift among his friends in Paris and cannot communicate with them. This class based depiction is consistent with how many French view that one's birth divides a person from the other classes.

The class-based system exists here in the South, but I have a feeling that passion and love and familiarity more readily breaks down barriers than those 30 years ago in France.

This is a movie well worth seeing.

Class differences are extremely detrimental to human relationships especially to relationships which involve love between a man and a woman.However hard one may try,one cannot really get rid of class differences in daily lives.Swiss film 'The Lacemaker' is sincere in its depiction of a tender love affair which was bound to fail from its inception.Based on a Goncourt prize winning novel by Pascal Lainé, 'La Dentellière' reveals actress Isabelle Huppert in one of the most sensible roles of her acting career.It is with great confidence and ease that she plays the role of a shy woman who is not too enthusiastic about getting into relationships with men.However,a chance meeting with an intelligent boy changes her life for good.La Dentellière succeeds as it depicts how vulnerable some women can be.It is neither anti women nor pro men but it has something for intelligent viewers who would like to be impartial judges of male female relationships.Those who have deep knowledge of French cinema would not fail in recognizing young actress Sabine Azéma playing a minor role.