A visiting dignitary, a CIA agent, a Nazi spy, Japanese tourists, an assassin and a group of "midget" actors from The Wizard of Oz (1939) all check into an elite Los Angeles hotel called Under the Rainbow.
Paul was injured while playing polo. He then learns that he is paralyzed from the waist down. Feeling despondent, he decides to go to his grandfather's ranch. He meets Marnie a horse ... See full summary »
A mother goes to Hollywood to find her runaway daughter. The Vice Squad discovers that a dangerous gangster has turned the girl into one of his junkie teen prostitutes. The Squad also investigates illegal betting and a BDSM pornographer.
Leon Isaac Kennedy
Debbie Reynolds and hundreds of children, from toddlers to teens, star in a musical salute to the days of the week. They sing rhymes for each day, and note the special qualities attributed to children born on that day.
Whilst editing 'Come Back Little Sheba', a Granada TV production directed by Silvio Narizzano for the Laurence Olivier Presents series in 1977, Sir Larry would often drop into Soho to catch up with the edit. One day he joined Roy Beck and his edit team for lunch at the Pizza Express restaurant in Wardour Street. They were already seated in the huge round window facing out onto Carlisle Street. On his arrival he noticed them in the window and came over and proceeded to give a fabulous impression of a goldfish with fully pouting lips for a good 15 seconds before joining them for lunch. He said they looked like they were sitting in a goldfish bowl. See more »
Playwright William Inge never liked Shirley Booth, or her brilliant performance as Lola in the Broadway and original film versions of "Sheba" -- he wanted an actress that would be believable as a faded beauty. Inge did not live to see Woodward's version of Lola, but he probably would have adored it -- he knew her as a young beauty when she understudied Janice Rule in his "Picnic" on Broadway. But the curse on Lola's husband "Doc" endures, and Olivier is as miscast as Lancaster was in the '52 film. It's one of his hammiest performances. A very young Carrie Fisher is natural and luminous as Marie, and Woodward is wonderful as always, but there's no escaping the long shadow of Booth's heartbreaking, legendary performance, which remains the heart and soul of "Sheba." Inge was wrong.
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