Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ...Written by
In a Rolling Stone Magazine interview at the time of the film, Steven Spielberg said he drew inspiration from the song When You Wish Upon A Star. The score featured a brief movement based on the song's music can be heard during closing scenes. In addition Roy talks to his family about wanting to see Pinoccio, the film the song originated from. See more »
'Steven Spielberg (I)' and producers wanted Walter Cronkite as newsreader for the broadcast that Neary ignores in the "living room sculpture" scene. However, Cronkite's network would not allow him to take the role, so the producers settled on ABC's Howard K. Smith. Unfortunately, the news footage of the Wyoming reporter was filmed before this decision; as a result, the reporter says "Order your steak well-done, Walter." Later, when Roy is interviewed, he mentions the newscast with Walter Cronkite. See more »
Near the end of the credits it starts to reads as follows: "During the filming of all animal sequences, H.L. EDWARDS, Veterinarian of Gillette, Wyoming, was in attendance at all times to aid the filmmakers and the anesthetist in proper treatment of the animals used, and at no time were the animals harmed or mistreated in any way." See more »
A final version of "Close Encounters" was released to video in 1998 (and then on DVD in 2001) as "The Collector's Edition". It is basically Spielberg's final 137-minute re-edit of the original version plus some sequences from the 1980 "Special Edition". It contains.....
The Neary family's alternate longer introduction.
The 5-second flyover of the power company truck.
The scientists discovery of the freighter in the Gobi desert is included.
The scene where Roy Neary argues with his wife and locks himself in a shower.
The Air Force base press conference scene has been restored from the original version.
The scene where Roy throws dirt, plants and bricks through his kitchen window has been restored from the original version.
This version does not contain the mothership ending from the "Special Edition", and retains the original 1977 end title music.
This is probably considered "a classic" by now, along with a few other 1970s Steven Spielberg movies. At the time of its release almost 30 years ago, the special-effects in here were astounding to view....and still hold up! They are still fun to watch.
The scenes in the beginning of this movie and at the end, are indelibly imprinted in my memory cells as well as millions of others. Who can ever forget that opening scene in the farmhouse when the little boy (Gary Guffey) is kidnapped or that ending with the gigantic spacecraft hovering over Devil's Hole in Wyoming, or the sound sequences emitted by the scientists trying to communicate with the aliens? There are many, many memorable scenes in this film - probably its biggest attribute.
To me, the only uncomfortable scene is the yelling match with Richard Dreyfuss and his family. The only message I didn't care for also involved Dreyfuss' character, who is "envied" at the end. Funny, I don't see a man who thoughtlessly leaves his family beyond as someone to be envied. Overall Dreyfuss looked more like a "Doofus" in here.
There are other credibility problems in here, too, but overall it's extremely interesting storytelling, great colors and special-effects and just about everything that director Steve Spielberg is noted for in his successful box-office films which translates to one crucial factor: entertainment.
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