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Close Encounters of the Third Kind (1977)

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Roy Neary, an electric lineman, watches how his quiet and ordinary daily life turns upside down after a close encounter with a UFO.

Director:

Steven Spielberg
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Popularity
1,935 ( 488)
Won 1 Oscar. Another 14 wins & 38 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Dreyfuss ... Roy Neary
François Truffaut ... Claude Lacombe (as Francois Truffaut)
Teri Garr ... Ronnie Neary
Melinda Dillon ... Jillian Guiler
Bob Balaban ... David Laughlin
J. Patrick McNamara ... Project Leader
Warren J. Kemmerling ... Wild Bill (as Warren Kemmerling)
Roberts Blossom ... Farmer
Philip Dodds ... Jean Claude
Cary Guffey ... Barry Guiler
Shawn Bishop Shawn Bishop ... Brad Neary
Adrienne Campbell ... Silvia Neary
Justin Dreyfuss Justin Dreyfuss ... Toby Neary
Lance Henriksen ... Robert
Merrill Connally ... Team Leader
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Storyline

Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Close Encounter of the First Kind - Sighting of a UFO. Close Encounter of the Second Kind - Physical Evidence. Close Encounter of the Third Kind - Contact. WE ARE NOT ALONE See more »

Genres:

Drama | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | French | Spanish | Hindi

Release Date:

14 December 1977 (USA) See more »

Also Known As:

CE3K See more »

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Box Office

Budget:

$20,000,000 (estimated)

Gross USA:

$132,088,635

Cumulative Worldwide Gross:

$303,788,635
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(Special Edition) | (Theatrical Original) | (Director's Cut)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (35 mm prints)

Color:

Color (Metrocolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Because the complicated and extensive visual effects were stretching the limits of what had been done before, Steven Spielberg also discovered a difficult new challenge in having to shoot scenes without an exact idea of how they would look when Douglas Trumbull completed them and added them to the film in post-production, months after principal photography was finished. On Jaws, the effects were difficult, but they were mechanical and physical, right there before him every day. The unknown of working around optical effects to be added later meant a more tense on-set atmosphere. Trumbull said, "I'll never be able to thank him enough for having the confidence and the patience to see it through time and not panic. There was enormous pressure on the production all the time from the studio to keep moving on." See more »

Goofs

In the scene where Roy is first shown with his living room creation (model of Devil's Tower made with trash/bricks/chicken wire), looking through the porch door it is clearly raining (most noticeable by the rain dripping onto the can that's on the ground just outside the door). The TV is playing an episode of Days Of Our Lives. As DOOL goes to commercial (Budweiser commercial plays) Roy looks out the window. He looks out at people outside in their yards, and it is bright and sunny out. See more »

Quotes

Ronnie Neary: Hey! This is not your toy to play with every time I turn around!
See more »

Crazy Credits

In the 1980s special edition, the new musical edition features the end credits different, then the fades into well after the end credits to the black screen. See more »

Connections

Referenced in Day for Night: Truffaut in the USA (2003) See more »

Soundtracks

She'll Be Comin' 'Round the Mountain
(uncredited)
Traditional
Whistled by a UFO observer
See more »

Frequently Asked Questions

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User Reviews

 
Aliens in Muncie make for Spielberg's Best Film Ever
10 January 2006 | by WriterDaveSee all my reviews

Steven Spielberg has made huge popcorn blockbusters that gross more money at the box office (i.e. "Jaws," "Raiders of the Lost Ark," or "Jurassic Park") and are more exciting on a visceral level. As he as aged and matured as a director, he has also made movies that are more important and will hold a more solid place in the chronicles of film as an artistic document of history (i.e. "Schindler's List," "Saving Private Ryan," and "Munich"). For my money, his best film will still always be "Close Encounters of the Third Kind." This film is Spielberg's humanistic and heartfelt answer to Kubrick's intellectual and cerebral look at man's first contact with life from elsewhere in the universe in his 1968 opus "2001: A Space Odyssey."

"Close Encounters" came early on in Spielberg's career, made in 1977, and has all the hallmarks of his later films played just right before he became so self-referential. Here we have his typical bag of tricks long before they became so typical: familial strife, coming to terms with something bigger than oneself that challenges the male protagonist's view of the world around him, little kids in jeopardy, superb build up of suspense, fantastic visual effects, and a memorable score from John Williams. From the first UFO sightings in Muncie, Indiana to the fantastic finale at Devil's Tower in Wyoming, this is grand entertainment. Lots of films have emulated this movie to varying degrees of success, from Robert Zemeckis' earnest "Contact," to the shameful scam that was M. Night Shymalan's "Signs," and even Spielberg himself recently did the dark natured flip-side to benevolent alien encounters with his remake of "War of the Worlds" (which makes a fantastic double-feature with this). However, nothing compares to this true original. No other film has made me want to believe in aliens more, and I'll never look at a plate of mashed potatoes the same again.


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