Close Encounters Of The Third Kind is a film about aliens landing on earth, but instead of descending into the usual laser-gun confrontations between humans and aliens, this one dares to remain "peaceful". It is a film about contact, not conflict. It is also a wonderfully thoughtful film and a prime example of compelling story-telling. If there is a weakness with Close Encounters Of The Third Kind, it is that the director Steven Spielberg occasionally allows sentimentality to enter into the proceedings, but in truth it is a very minor weakness and it doesn't significantly spoil this tremendous movie experience.
Several missing aircraft turn up over 30 years after they were reported lost. More baffling still is the fact that they vanished over Florida but have turned up, in pristine condition and without pilots, in the middle of Mexico. Other weird things happen: an aeroplane pilot reports a near collision with a brightly lit spacecraft; a Navy warship missing for decades is found in the desert; thousands of Indians report a light in the sky which "sang" to them; and across America there are scores of inexplicable UFO sightings. Electrician Roy Neary (Richard Dreyfuss) is a normal family man who sees one of the UFOs. Soon after, he is tormented by a vision apparently implanted in his mind by the aliens. His torment becomes obsession as he tries to figure out the meaning of a hill-like shape that has become embedded in his mind. As his marriage collapses, he desperately tries to find answers and is finally gratified when he discovers that the picture in his head is trying to tell him where to go in order to witness an extra terrestrial landing.
The fact that Roy Neary is just an everyday guy cast into the most incredible of circumstances gives this film a real human dimension. Roy could represent any one of us - you, me, your next door neighbour, your father, whoever. Spielberg tells his story very carefully, adding clues and more layers of mystery before actually revealing where the story is heading. It is probably the most controlled and skillfully paced of Spielberg's '70s films. The ending, featuring the alien arrival, is a technical tour-de-force, but it works well on an emotional level too because the viewer has grown to know Roy and has been drawn into his quest for answers. John Williams provides yet another legendary music score - including an iconic five-note tune which the aliens and humans use to communicate with each other. Close Encounters Of The Third Kind is a classic sci-fi film, as fresh and absorbing now as it was back in 1977.
