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The Cynic, the Rat and the Fist (1977)

Il cinico, l'infame, il violento (original title)
A hardened cop is left for dead by the henchmen of a escapee gangster he had previously arrested, and upon recovery relentlessly pursues them.


Umberto Lenzi


Sauro Scavolini (story), Ernesto Gastaldi (screenplay) | 2 more credits »


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Cast overview, first billed only:
Maurizio Merli ... Inspector Leonardo Tanzi
John Saxon ... Frank Di Maggio
Renzo Palmer Renzo Palmer ... Commissioner Astalli
Gabriella Lepori ... Nadia
Robert Hundar ... Dario
Bruno Corazzari ... Ettore
Marco Guglielmi Marco Guglielmi ... Marchetti
Gabriella Giorgelli ... Maria Balzano
Guido Alberti Guido Alberti ... Tanzi's Uncle
Aldo Massasso Aldo Massasso ... Magistrate
Brigitte Petronio ... Blonde Hooker at Fazi's
Gianni Musy Gianni Musy ... Nicola Proietti
Gianfilippo Carcano Gianfilippo Carcano ... The Professor
Tomas Milian ... Luigi 'The Chinaman' Maietto
Dante Cleri Dante Cleri ... Di Maggio's Aide


Luigi Maietto (Chinaman) escapes from prison he then orders two henchman to murder the inspector whose testimonal led to his being jailed. Inspector Tanzi is left for dead but lives. The local newspapers cover up for him and pretend the assassination had worked. When Tanzi's able to his superior wants him to hide in Switzerland. But Tanzi defies him and intends to make sure that Maietto is put back in prison. Written by wxjuh

Plot Summary | Add Synopsis


A feast of violence and action!


Action | Crime | Thriller


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Release Date:

3 February 1977 (Italy) See more »

Also Known As:

The Cynic, the Rat & the Fist See more »

Filming Locations:

Rome, Lazio, Italy

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:




Aspect Ratio:

2.35 : 1
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Did You Know?


According to Tanzi's passport, he was born March 21st, 1940 in Tripoli, Italian Tripoliania to Giorgio Tanzi and Elena Zecua. See more »


Follows The Tough Ones (1976) See more »

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User Reviews

Another crime masterpiece from Umberto Lenzi!
22 August 2006 | by The_VoidSee all my reviews

The Cynic, The Rat and The Fist clearly takes influence regarding it's central theme from the Sergio Leone masterpiece 'The Good, The Bad and The Ugly', and here we follow the fortunes of three strong male characters as their lives intertwine in the name of crime. Director Umberto Lenzi plied his trade in a number of Italy's most popular genres, and his resume includes the likes of zombies, cannibals and Giallo; but the only field he's a master in is the Dirty Harry inspired sub-genre, 'Polizia'. This is only my third Lenzi crime flick, but I wouldn't be surprised to find that it's one of the best he ever made, as the masterpiece 'Almost Human' only just edges it out. Umberto Lenzi packs his film with all the things you'd expect from the crime genre; with things such as shootouts, car chases and sadism featuring strongly. The actual plot is a little convoluted, and follows Italian mob boss 'The Chinaman', as he hooks up with New York crime lord Frank Di Maggio. The cop looking to take the pair of them down is Leonardo Tanzi, a man not afraid to break the law in order to bring in his man.

Exactly which of the title monikers apply to which of the three characters is never really explained; although personally, I wager that Tomas Milian's Chinaman is 'The Cynic', John Saxon's mob boss is 'The Rat' and Maurizio Merli violent copper is the aptly named 'The Fist'. One of the film's strongest elements is undoubtedly the cast list, as the central trio of characters are brought to life by three of cult cinema's best actors. Tomas Milian certainly knows his way around a sadistic part, while the underrated (and sadly here underused) John Saxon's resume speaks for itself. Maurizio Merli is perhaps the least accredited member of the cast, but lead roles in this and Lenzi's Violent Naples certainly shows that the man can play the gritty copper. The plot flows very well, and Lenzi's direction continually impresses. It can be a little hard to follow at times, but there's always enough shooting and murders to keep genre fans happy. The ending is a major strongpoint too, as Lenzi spends the entire film building up to a showdown, and when it hits; it doesn't disappoint. Overall, this is a first class example of the Italian crime thriller and comes highly recommended.

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