Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
A surrealist tale of a man and a woman who are passionately in love with each other, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see in flashback) how he became obsessed by her (so much so that he failed to notice that she was played by two different actresses, representing different sides of her personality), and how she tantalised him, but would never allow him to satisfy his desire for her...Written by
Michael Brooke <email@example.com>
Luis cameo: as in 'Belle De Jour' and 'Phantom of Liberty' Bunuel does another walk-on in Obscure Object.. immediately after Fernando Rey's first scene - Luis and his chauffeur are blown to bits on their way to the bank, victims of an unexplained terrorist attack. See more »
Mathieu enters the room where Conchita dances nude, throws the leftmost table to the right, and chases out all the men. The remaining table and chairs on the left are standing upright. After they talk for two minutes the camera returns to the area with the tables, where that same table and chairs lean against the wall in disarray. See more »
Yes, the back drop of terrorism. Yes, the ubiquitous sack. But how about the mouse caught in a trap inexplicably in the middle of a scene? Or the fat disgusting fly in Fernando Rey's drink in another scene? What was it doing there? (Yes I know, the backstroke!) But seriously, these bizarre additions are intrusive but do not actually disrupt the narrative (as heavy symbolism does in so many art house films.) They are intriguing. To me it is meant to offer the audience a clue that Mathieu's love for Conchita is not pure. It is contaminated by lust and the shallow insincerity of both of them.
I'm open to better suggestions.
I have to say I loved this film.
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