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Chaste and Pure (1981)

Casta e pura (original title)
Antonio is married to a very wealthy woman but the sole heir of the family fortune is his daughter. He induce his dying wife to swear in the daughter of remaining "chaste and pure" ( so that she cannot marry ) until his own death.

Director:

Salvatore Samperi

Writers:

Bruno Di Geronimo, Michel Gast (screenplay) | 3 more credits »
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Cast

Cast overview, first billed only:
Laura Antonelli ... Rosa / Antonio's daughter
Fernando Rey ... Antonio / Rosa's father
Christian De Sica ... Carletto
Enzo Cannavale Enzo Cannavale ... Don Bottazzi
Gabrielle Lazure ... Lisetta
Jean-Marc Bory ... Dr. Natal (as Jean Marc Bory)
Vincenzo Crocitti Vincenzo Crocitti ... 'Picci'
Valeria Fabrizi Valeria Fabrizi ... Seconda moglie di Bottesini / Bottesini's Second Wife
Elsa Vazzoler Elsa Vazzoler ... Assunta / madre di Fernardo-Fernardo's mother
Riccardo Billi Riccardo Billi ... Padre di Carletto / Carletto's Father
Diego Cappuccio Diego Cappuccio ... Dario Di Maggio
Massimo Ranieri ... Fernando / Rosa's cousin
Sergio Di Pinto Sergio Di Pinto ... Gustavo
Adriana Giuffrè Adriana Giuffrè
Eduardo MacGregor Eduardo MacGregor ... (as Edoardo Mac Gregor)
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Storyline

Antonio is the husband of a rich heiress who, shortly before his wife's death, realizing he risks being expelled from the estate, convinces the dying woman to ask their small daughter Rosa for a vow of chastity, so that she cannot marry until the death of father. Twenty years later, she is now a beautiful woman, all home and church, who lives in respect of the oath made on her mother's deathbed. Soon, however, she starts first to have strange dreams and then to have winking night visits from her cousin Fernando. Extremely disturbed by these events, she confides to her confessor pastor that she wants to become a nun and to give all her belongings to charity. As soon as his father becomes aware of this idea, in order not to lose the patrimony of which he is the usufructuary, he organizes a group sexual initiation towards his daughter. This event, however, opens the eyes of Rosa who finally makes herself independent. Written by lament

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

Italy | France | Spain

Language:

Italian

Release Date:

5 November 1981 (Italy) See more »

Also Known As:

Agni kai ithiki See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Italian censorship visa # 77250 delivered on 30-10-1981. See more »

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User Reviews

Alone against the birds of prey, Italian style...
10 October 2003 | by prohibited-name-1142See all my reviews

Salvatore Samperi may have been bitter when he shot this "sexy comedy", because apart from the lovely virgin Rosa - played by the still bombastic Laura Antonelli - no one is likeable here !

The movie is about a rich girl that everybody's interested in only to get a hand on the loads of cash she inherited. Between her tyranic father (Fernando Rey, getting old and less picky with scripts, it would seem) and some pimpin' playboy (Massimo Ranieri, looking sleazy and dubious), her doctor wants her to get laid, and apparently so does the village priest !

But daddy doesn't want Rosa to get married, because this would mean the end of his reign on the girl's money...

Conventionally shot, with a humor that the french dubbing probably obliterates, this one's fine but it's not highly entertaining or innovative. There are a few glimpses of flesh here and there, lots of suggested incest, a collective rape during a medieval party which is very confusingly shot, and a small role given to the lovely Gabrielle Lazure.

If this is an attempt to mock the modern bourgeois family, it is half obtained, everybody being so morally corrupt that it is almost banalised ! We've seen it all before; the father being more interested in money than family, the wild virgin looking to burst out of her shell... It would have appeared daring during the 70's but in 1984, I will have to say that this is average filmmaking and that it's sadly forgottable.


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