Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of ...
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Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means "free man," to his 80th birthday party. The film principally ... See full summary »
Four generations of a family live crowded together in a cardboard shantytown shack in the squalor of inner-city Rome. They plan to murder each other with poisoned dinners, arson, etc. The ... See full summary »
Maria Luisa Santella,
An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel. An English language lesson turns into a killing of a ... See full summary »
The 50 year story of a ballroom in France, from the 1920s. The people who go there is always the same, even the musicians. You can see all kind of people dancing all the fashion dances (... See full summary »
Francesco De Rosa
A rich businessman is fed up with work, family, society, and goes with a friend to Africa, in search of another friend who had vanished there in mysterious circumstances. They will find him... See full summary »
Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of these three idealists and how they deal with the inevitable disillusionments of life.Written by
"We All Loved Each Other So Much" (Italian, 1974): A film by Ettore Scola. We follow three men-friends through 30 years - weaving in and out of each others their lives, alone or in various combinations, with one particular woman. They met as "brothers in war" during the Italian Resistance of WWII. With eventual peace, each traveled their own paths, crossing and remeeting every so often. The b/w photography is beautiful, the scoring perhaps a little heavy-handed (but considering the time 1974 downright subtle), the period "looks" seems accurate enough, and the acting by all involved is good. I enjoyed some of the film's devices, such as all the actors freezing in position and the one "in thought" getting a spotlight, the occasional near-repeat of a scene/incident, the actors sometimes speaking directly to you, and other breaks with the "reality" of a film. No doubt Woody Allen saw this work before his making "Annie Hall". You might also think of this film as a more somber, sophisticated version of "The Big Chill" with fewer main characters and more internal assessment.
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