Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of ...
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Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means "free man," to his 80th birthday party. The film principally ... See full summary »
Four generations of a family live crowded together in a cardboard shantytown shack in the squalor of inner-city Rome. They plan to murder each other with poisoned dinners, arson, etc. The ... See full summary »
Maria Luisa Santella,
A three-way love affair in the Rome of the early seventies. Construction worker Oreste and young fiancee Adelaide meet Nello, cook in a pizzeria. This love triangle often go to communist ... See full summary »
An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel. An English language lesson turns into a killing of a ... See full summary »
Necchi (a bar owner), Perozzi (a journalist), Melandri (an architect) and Mascetti (a broken nobleman) live in Florence. They have been friends since their youngest years and spend every ... See full summary »
Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of these three idealists and how they deal with the inevitable disillusionments of life.Written by
Features a recreation of the famous Trevi Fountain sequence in La Dolce Vita, with Federico Fellini and Marcello Mastroianni playing themselves, and Stefania Sandrelli playing a bit part. See more »
[defending Bicycle Thieves]
Mr. Superintendent, the film we saw tonight was... stupendous! Let me talk, let me talk. Through this garbage and this crap, yes sir, we recognise the true enemies of the proletariat: namely, the false defenders of grace, of poetry, of beauty and all the other hypocritical values of your bourgeois culture.
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This is a beautiful film about friendship and nostalgia, but above all about loving cinema. To me, this film defines "cinephilia". Cinema and the protagonists' lives are cleverly interwoven. The fleeting images of film, capturing a moment and then disappearing, only to linger in the memory, can be seen as a metaphor for the past that can not be recaptured, a past when we were young and happy and confident and the world was ours. When the credits roll, I feel this strange mixture of happiness and sadness. Oh, how I wish...
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