Operation Market Garden, September 1944: The Allies attempt to capture several strategically important bridges in the Netherlands in the hope of breaking the German lines. However, mismanagement and poor planning result in its failure.
The true story of Operation Market Garden, the Allies attempt, in September 1944, to hasten the end of World War II by driving through Belgium and Holland into Germany. The idea was for U.S. airborne divisions to take the towns of Eindhoven and Nijmegen and a British airborne division, reinforced by a Polish airborne brigade, to take the town of Arnhem. They would be reinforced, in due course and in turn, by the British XXX Corps, land-based and driving up from the British lines in the south. The key to the operation was the bridges, as if the Germans held or blew them, the paratroopers could not be relieved. Faulty intelligence, Allied high command hubris, and stubborn German resistance would ensure that Arnhem was a bridge too far.Written by
According to Stunt Coordinator Vic Armstrong, they used over one hundred stuntmen in this movie. See more »
As the Dutch Advisor Harry yells at Gen. Gavin after landing "you all right?" Several men in the background are carrying K98 German rifles instead of M-1 Garands, could be a war trophy but they carry no other rifle, and they just landed and wouldn't have time to get pick one up. See more »
Lt. Colonel J.O.E. Vandeleur:
Remember what the general said; we're the cavalry. It would be bad form to arrive in advance of schedule. In the nick of time would do nicely.
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The 1996 U.S video release confusingly removed all the titles in the film which described the location of certain scenes and replaced Elliott Gould's yell of "Roll the fuckers" with "Roll 'em fellas". The same print was used for the initial 1998 DVD release though later MGM 2-disc releases feature the original uncut version. See more »
"Quite frankly," observes 'Boy' Browning, "this kind of thing's never been attempted before." But it has. In 1962, "The Longest Day" gave the epic star-studded treatment to the D-Day landings, and here we are, 15 years on, doing the same for the Arnhem debacle. It has to be said, the film looks great. From the gently-tinkling light fittings in the Dutch resistors' home to the beauty of the tank tracks in perspective, this is a gorgeously-photographed movie.
In 1944, the German armies were being pushed back across the Low Countries. The Allies' great strategic problem was the Rhine, the wide river which formed Germany's western border. A daring plan was conceived which would overcome the Rhine obstacle and open the road to Berlin. 'Market Garden', as the plan was codenamed, involved parachuting spearhead units onto the great bridges over the Rhine and securing them for the critical few hours it would take for an armoured column to drive up and relieve them.
It is easy now to point to the flaws in 'Market Garden', but at the time it looked like a daring and viable alternative to slogging it out against the Siegfried Line. No-one had anticipated that the Dutch people would pour out onto the streets in throngs, thinking that they had been liberated, and thus bog down the armour. The intelligence indications of heavily-equipped German units in the zone were ignored because they were inconvenient. Critically, the plan allowed for only one solitary road to be available to the Irish Guards for the all-important northward thrust. The film illustrates very effectively the way in which a plan can develop its own momentum, regardless of the shortcomings which riddle it.
The sequence of the boarding and dropping of the paratroops is a thrilling spectacle, shot on a colossal scale. The German ambush which delays the rolling of the armoured column is another terrific action sequence. Attenborough keeps tight control of a big, complex story, and interlards the large-scale stuff with 'human scale' passages, like James Caan's rescue of his buddy (incidentally, the tracking shot which follows his jeep through the forest is quite remarkable).
The fighting at Nijmegen is brilliantly-filmed. Note how the street on the British side grows increasingly littered with war debris as the battle rages. Robert Redford's assault across the river is a symphony in olive drab, leading to a wonderful moment of exhilaration.
Whether the viewer finds the singing of "Abide With Me" moving or grossly sentimental will depend on personal taste, but the subdued ending is very satisfying. 'Market Garden' may have helped shorten the war and may have achieved most of its immediate objectives, but it has to be seen as a tragic mistake.
The film is slick, professional and very pleasing on the eye. One can't help wondering, however, if this kind of 'tank opera' was worth the effort, given that "The Longest Day" had done it all so splendidly a generation earlier.
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