Hiller, a computer expert, was bribed by group of bank robbers to obtain details of the security system at a newly-built bank. Having obtained the information, he thought he'd seen the last... See full summary »
A millionaire, a million-dollar prostitute, a star-maker, a nation-killer, a woman whose lusts are as cold as graveyard snow. Five of the most powerful people in the world, and Maggie (... See full summary »
During the Cold War, the British and Soviet Intelligence services attempt to out-fox one another using the homesick double-Agent Krasnevin a.k.a. Alexander Eberlin (Laurence Harvey) as a pawn in the complex spy-game.
In 1905, after ten years of missionary work in Africa, the Reverend Charles Fortescue (Michael Palin) is recalled to England, where his Bishop gives him his new assignment, to minister to ... See full summary »
John Blandish is worth $100 million. His heiress daughter is soon to be wed to Foster Harvey, who believes she's a cold, unfeeling woman, despite loving her. Her cold emotional state is in ... See full summary »
St. John Legh Clowes
Jack La Rue,
Five shipwrecked English teenagers take refuge in an island hotel that is decorated for New Years. The problem is, it's early summer, and soon enough, even the walls themselves are striking out against them...
During WWII, the publisher of the isolationist New York Gazette is murdered just as he was about to change the paper's policy and support the US war effort. His friend, a small town patriotic editor, is brought in to find the culprits.
'Black Joy' the title should set one off, black life in London in the 1970's (according to whom?). As one of my mates said, it's the British 'birth of a nation'. Looking at the 'black experience' through the distorted eyes of a white man. This is 1977, when reggae, dub, other JA music was stepping up, by brothers for brothers, and this movie comes out of nowhere with a total different and warped perspective. Maybe the Brits were trying to copy the US Blaxploitation scene, maybe they still haven't got over their fetish/fascinationa for all things brown and black from the commonwealth, or maybe this was made in revenge for the the Black and White Minstrel Show being taken off the air a few (yes only a few) year earlier. Whatever, do see for the same reason one should see 'Birth of a Nation' in a historical and cultural context. This is how 'Great Britain' saw black commonwealth members once they came to the mother country.
What makes it so disgusting, is that the voyeurism is so blatant. I mean a film called 'Sofia' made in the 1950's dealing with race etc in Britain has its own stereotypes but at least there was a sense at social reality, of social comment...kitchen sink drama if you will. This film has nothing but British equivalents to the images you find in Bogle's Toms, Coons, Mammies, Mulattoes, and Bucks all from a country that continually brags in its BBC accent that it knows better... Final point, is to compare it to Babylon which comes in the next decade, and see how the characters are now are all Youth, as in the young black male whose too cool to conform.
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