Charles is a Salt Lake City civil servant who loves (*LOVES*) Laura, a lovely housewife with a lovely step-daughter and an A-frame-selling, ex-quarterback husband named Ox. His roommate is ... See full summary »
Jealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.
A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant, with only the girl's brother and a handsome doctor standing in her way.
Underrated when it came out, but prescient and influential to this day.
This note perfect film really must be seen. It is one of the best ensemble pieces ever made.
Viewed as an exercise in character, is is a strong enough . As a comment on its times, it was accurate and prescient. It was once possible to have a newspaper, music, a life that was not co-opted by corporatism.
Some of weaknesses in our culture are manifested in the sell-out, the opportunist, the survivor, the careerist. The real politician who changes political parties out of expedience, even if it means laying down with the dogs, could have stepped out of this picture. The once progressive believer who becomes a lapdog of the powerful was portrayed here.
This movie was too smart and knowing for Hollywood.
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