6.9/10
432
9 user 13 critic

Between the Lines (1977)

Story of an underground newspaper in Boston about to be taken over by big business.

Writers:

Fred Barron (screenplay), Fred Barron (story) | 1 more credit »
Reviews
3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
John Heard ... Harry Lucas
Lindsay Crouse ... Abbie
Jeff Goldblum ... Max Arloft
Jill Eikenberry ... Lynn
Bruno Kirby ... David Entwhistle
Gwen Welles ... Laura
Stephen Collins ... Michael
Lewis J. Stadlen Lewis J. Stadlen ... Stanley
Jon Korkes ... Frank
Michael J. Pollard ... The Hawker
Lane Smith ... Roy Walsh
Joe Morton ... Ahmed
Richard Cox ... Wheeler
Marilu Henner ... Danielle
Raymond J. Barry ... Herbert Fisk
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Storyline

Story of an underground newspaper in Boston about to be taken over by big business.

Plot Summary | Add Synopsis

Taglines:

Fun, adventure, romance on $75 a week. See more »

Genres:

Comedy | Drama | Romance

Certificate:

R | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

22 January 1979 (Sweden) See more »

Also Known As:

Al otro lado de la noticia See more »

Company Credits

Production Co:

Midwest Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (TVC)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

First Cinema film of Raymond J Barry. See more »

Quotes

Max Arloft: They say that Rock & Roll are here to stay. But where? Certainly not at my place, it's too small.
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Soundtracks

Fannie Mae
Written by Waymon Glasco, Clarence Lewis & Morris Levy
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User Reviews

 
Underrated when it came out, but prescient and influential to this day.
16 August 2006 | by John OlsonSee all my reviews

This note perfect film really must be seen. It is one of the best ensemble pieces ever made.

Viewed as an exercise in character, is is a strong enough . As a comment on its times, it was accurate and prescient. It was once possible to have a newspaper, music, a life that was not co-opted by corporatism.

Some of weaknesses in our culture are manifested in the sell-out, the opportunist, the survivor, the careerist. The real politician who changes political parties out of expedience, even if it means laying down with the dogs, could have stepped out of this picture. The once progressive believer who becomes a lapdog of the powerful was portrayed here.

This movie was too smart and knowing for Hollywood.


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