Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a ... See full summary »
Dressed as a clown, the clever rascal Grimm holds up the most secure bank of Montreal and takes 30 hostages. While confusing and ridiculing the police with his strange behavior, he calmly ... See full summary »
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Francois always despised the textile barons who ruled his local town. But he fell in love with the family heiress Gilberte. Ten years ago, he would have married her. Now only hatred holds them together. Francois is accused of murder. A hooker and a football star lie slaughtered. He thinks he has been framed by the mob. Going underground, he finds that the trail leads all the way to the top - to ... See full summary »
Bart Cordell, is unanimously considered as a daddy's boy and an insignificant playboy. So, when he suddenly becomes head of his father's financial empire following his death, nobody ... See full summary »
A movie about a good-for-nothing stuntman called Mike Gaucher who can't do one single job without something going wrong. His fiancée wants to kill him, the film studios don't want to give him any more work and, as King Kong for a promotion in a supermarket, he winds up destroying some display shelves. The only role he plays well is pretending not to be able to hear, speak and walk in order to get money from the government. Then along comes the "beautiful" actor called Bruno Ferrari. Supposedly a fearless stuntman, Ferrari turns out to be afraid of heights once his feet leave the ground. So a stuntman is needed to prevent a scandal. And who is the man who looks most (or exactly) like Bruno? You guessed it, good-for-nothing Mike...Written by
Markus Wachenheim <firstname.lastname@example.org>
It all starts with an ugly animated credit sequence focusing on a funky lion. Would that be the Animal in the title? OK, but it's hardly relevant with the character played by Belmondo.
The comedy aims to be wild with Belmondo hamming his double-part full-throttle. It may be funny to a 5-year old; for a grown-up it looks like tired jokes with heavy-handed direction in gross situations (the gay movie-star, the crooked and clumsy stunt double). Raquel Welch is beautiful and quite a relief compared to her partner.
Overall it smells like a big budget dilapidated into big stunt jokes, in turn dwarfed by the would-be burlesque tone. Somehow Claude Zidi must have been thinking the Marx Brothers had become famous for silly over-the-top gags devoid of any subtlety...
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