Cast overview, first billed only: | |||
Jennifer O'Neill | ... | Virginia Ducci | |
Gabriele Ferzetti | ... | Emilio Rospini | |
Marc Porel | ... | Luca Fattori | |
Gianni Garko | ... | Francesco Ducci | |
Evelyn Stewart | ... | Gloria Ducci | |
Jenny Tamburi | ... | Bruna | |
Fabrizio Jovine | ... | Commissioner D'Elia | |
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Riccardo Parisio Perrotti | ... | Melli |
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Loredana Savelli | ... | Giovanna Rospini |
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Salvatore Puntillo | ... | Second Cab Driver |
Bruno Corazzari | ... | Canevari | |
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Vito Passeri | ... | Caretaker |
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Franco Angrisano | ... | First Cab Driver |
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Veronica Michielini | ... | Giuliana Casati |
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Paolo Pacino | ... | Inspector Russi |
A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth about who the person was and who put her there. Soon enough, she starts to realize the possibility that she may share the victim's fate... Written by Brian J. Wright <bjwright@acs.ucalgary.ca>
The Psychic finds Italian film-maker Lucio Fulci in a decidedly more restrained mood. Never a director to shy away from excessive sex and violence, this entry in his cannon is far more an exercise in suspense with a real focus on presenting an interesting mystery. There is an early scene where a character falls off a cliff resulting in their face being bloodily shredded by rocks as they fall - basically a scene repeated from Fulci's earlier giallo classic Don't Torture a Duckling (1972) – but apart from this, there is no real excessive blood-letting at all. The story is essentially about a psychic woman who experiences premonitions about mysterious murders, before long she finds herself in the midst of a dangerous situation.
The atmosphere of this one generates a real sense of dread. This is mainly on account of the quite distinctively structured mystery that underpins the story-line. The mixing of visions of the past and events yet to come was clever. It means that there is a real sense of intrigue to this one, with lots of visual clues thrown at us that progressively make sense, while often setting us off to entirely the wrong conclusion. It's a jigsaw puzzle of a movie and this is a very nice touch. Because it came quite late in the giallo cycle I guess it was for this reason that it adopted a more original approach, mixing the standard tropes of the genre with a supernatural angle. Whatever the case, this is one of the better written and thought out story-lines from the sub-genre and what it lacks in visceral excess it does make up for with a well-conceived mystery. It benefits too from a good leading lady in Jennifer O'Neill who later starred in David Cronenberg's excellent sci-fi/horror Scanners (1981). In addition it also features a Goblinesque score which was another nice touch.