Curtis's cover is blown and Kessler orders a security ring around Brussels and a massive search to trap Curtis. Curtis poses as a bus driver for a Hitler Youth day trip in a desperate attempt to flee...
During World War II, Albert Foiret runs both a café in Brussels, where locals mix with the Nazi occupation forces, and a network of the Belgian resistance called Lifeline, devoted to the evacuation of downed Allied pilots to Britain. He and his secret 'army' constantly risk their own lives and those of many others to find the pilots, hide, nurse and prepare them for the long, dangerous journey out of the Reich under the Nazis' noses. It is a never ending cat-and-mouse game against specialized German hunters, the gentlemanly Luftwaffe officer Major Erwin Brandt and the ruthless Gestapo officer Sturmbannfuhrer Ludwig Kessler, whose devotion to Hitler's cause is boundless.Written by
I wasn't even born when this series was first made. It was my mother who introduced me to the series on uk drama. She insisted that I 'give it a chance.'I am glad that I did!
During the first series the show showed little potential, the characters were stereotypical and shallow, such as Kessler, with his robotic like ways and constant determination to get one over on life line. The melodramatic content was so bad you could almost hear him shouting: 'I'll get you next time!' at the end of every episode. However somebody waved their magic wand at the start of the second series, because the show changed it's angle completely. With the dramatic exit of Yvette, (one of my favourite scenes in television)and the introduction of the Candide. We saw alot of changes for the characters. Kessler gained a love interest, and at last we could see his human side.Life line too showed it had some weak human traits, more often then not Albert's greed resulted in him ordering command just so that he could keep his precious restaurant. And when Monique was left in charge at the end of series two she turned into a bit of a boozer! More importantly, as the storylines developed and conspiracies got more complicated, life line didn't always end up on top, usually at the expense of poor Natalie or Monique.
The show came to prove that it was more about humans fight for survival. And less about the adventurous action man enthusiasm sometimes given to war in american films. What a shame that somebody made a spoof in the form of 'allo, 'allo. This became more famous than the original classic and now shadows it's brilliance. As my Mother insisted to me, I would insist to you: 'give it a chance, please!'
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