In 1750, in Gambia, West Africa, Kunta Kinte, son of Omoro and Binta, distinguishes himself among his tribesmen in manhood training rituals. But he does not enjoy his new status long: slave traders ...
Despite a violent rebellion, the slave ship Lord Ligonier completes its voyage in 1767, and Kunta Kinte endures the indignity of an Annapolis slave auction. Fiddler, the slave in charge of Kunta's ...
1780. Kunta happily marries Belle but sadly his long-time friend Fiddler dies. Kunta wants to attempt escape again with Belle but the birth of a daughter named Kizzy changes his mind.
A saga of African-American life, based on Alex Haley's family history. Kunta Kinte is abducted from his African village, sold into slavery, and taken to America. He makes several escape attempts until he is finally caught and maimed. He marries Bell, his plantation's cook, and they have a daughter, Kizzy, who is eventually sold away from them. Kizzy has a son by her new master, and the boy grows up to become Chicken George. He's a legendary cock fighter who leads his family into freedom. Throughout the series, the family observes notable events in U.S. history, such as the Revolutionary and Civil Wars, slave uprisings, and emancipation.Written by
Eric Sorensen <Eric_Sorensen@fc.mcps.k12.md.us>
Hank Williams song "Take These Chains From My Heart,"released in 1947, is played in one episode. See more »
Quotes
Kintango:
Who can tell me if there was a tribal war, and the men of Mandinka had the enemy surrounded on three sides, what should be the next thing done?
Boy:
The men of the Mandinka will enclose the circle and surround the enemy.
Kintango:
No, the goal of war is not to kill. The goal of war is to win. By surrounding the enemy, you would force him only to fight more desperately. If you surround him on three sides and leave him an escape route, he will leave your land and there will less blood spilled on both sides. For a...
[...] See more »
Alternate Versions
The 40th anniversary Blu-ray release restores the entire series to its 8 episode format. Making it the first time it's been made available in this form since the original 1977 ABC airings. See more »
I was born in 1980, and had heard of Roots from reading about LeVar Burton being the only real "name" to join Star Trek: The Next Generation. I came across the boxset at my local library and was able to find out what this "Roots" thing was all about. Having the series on DVD was definitely a boon as (despite being in NTSC) it has a crisp and clear appearance, usually stuff on TV from the 70's or 80's has a characteristic fuzziness.
Despite it's lowish budget, and age, Roots has a certain kinetic energy, it kept me interested from the start. Being able to see a young LeVar Burton was great, and without any visors or contact lenses. The casting was excellent all around and the actors put in 100% effort. My only bone to pick was using two different actors for Kunta Kinte. They were physically very different, John Amos doesn't look, act or sound like LeVar Burton, which disrupts the sense of continuity the rest of the multi-episode characters had.
By the end I found I had become quite involved with the series and enjoyed seeing it unfold, I liked it so much I viewed the whole nine hours again with commentary (well, I had time to kill). It is interesting that Roots carries a sense of history (as in the late 70's) and culture with it, it's not just a TV show, there's a whole air surrounding it. I'm glad I got the opportunity to see it, I gained a clearer understanding of where African-Americans as a people are coming from, and I hope everyone who hasn't seen it yet gets the opportunity to do so.
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I was born in 1980, and had heard of Roots from reading about LeVar Burton being the only real "name" to join Star Trek: The Next Generation. I came across the boxset at my local library and was able to find out what this "Roots" thing was all about. Having the series on DVD was definitely a boon as (despite being in NTSC) it has a crisp and clear appearance, usually stuff on TV from the 70's or 80's has a characteristic fuzziness.
Despite it's lowish budget, and age, Roots has a certain kinetic energy, it kept me interested from the start. Being able to see a young LeVar Burton was great, and without any visors or contact lenses. The casting was excellent all around and the actors put in 100% effort. My only bone to pick was using two different actors for Kunta Kinte. They were physically very different, John Amos doesn't look, act or sound like LeVar Burton, which disrupts the sense of continuity the rest of the multi-episode characters had.
By the end I found I had become quite involved with the series and enjoyed seeing it unfold, I liked it so much I viewed the whole nine hours again with commentary (well, I had time to kill). It is interesting that Roots carries a sense of history (as in the late 70's) and culture with it, it's not just a TV show, there's a whole air surrounding it. I'm glad I got the opportunity to see it, I gained a clearer understanding of where African-Americans as a people are coming from, and I hope everyone who hasn't seen it yet gets the opportunity to do so.