Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative...
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Jack Regan is a hard edged detective in the Flying Squad of London's Metropolitan Police. He pursues villains by methods which are underhanded and often illegal themselves, frequently violent and more often than not successful.
Arthur Daley, a small-time conman, hires former boxer Terry McCann to be his 'minder', so Terry can protect him (Arthur) from other, small-time, crooks. While Terry is trying his hardest to... See full summary »
Cinematic spin-off from the popular TV series. Hard-bitten Flying Squad officer Jack Regan gets embroiled in a deadly political plot when an old friend asks him to investigate the death of ... See full summary »
Second cinematic spin-off from the popular 70's police series. Regan & Carter head a Flying Squad investigation into a series of bank raids by a team of well-armed villains who are flying in from the continent.
It's suspected that a peace/anti-nuke organization in UK has some extremists willing to use terrorism. The action will probably be against an embassy in London. The SAS/Special Air Service try to get the organization infiltrated.
Ken Boon and Harry Crawford are two middle-aged ex-firemen. Harry retires and opens a hotel (The Grand Hotel), with Ken as a temporary odd-job man. During the seven seasons (1986-1992), Ken... See full summary »
Wolfie Smith is an unemployed dreamer from Tooting, London, a self-proclaimed urban guerrilla who aspires to be like his hero Che Guevara. He leads a small group called the Tooting Popular ... See full summary »
Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie was a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, came to CI5 from the regular police force, and was more of an open minded liberal. Their relationship was often contentious, but they were the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.Written by
Marg Baskin <firstname.lastname@example.org>
Collins and Shaw first worked together in The New Avengers episode The New Avengers: Obsession (1977), Shaw as a disgruntled R.A.F. Officer, and Collins playing a mercenary, not unlike Bodie. At one point, Collins' character even remarks to Shaw that they make a good team and should work together again some day. When Anthony Andrews dropped out of playing Bodie on this show, the show's creator's remembered Collins, and the friction that had existed between him and Shaw on-set, creating dramatic tension, and earning him the role. See more »
[scene-setting voiceover from Season 1 opening titles]
Anarchy, acts of terror, crimes against the public. To combat it I've got special men - experts from the army, the police, from every service - these are The Professionals.
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"The Professionals" has been slated from all sides over the years. It's fallen foul of, among others, the self-appointed moralist zealots of television watchdog groups because of its often hard-hitting violence, and the feminist lobby for its portrayal of most of its female characters as bimbos and ciphers. Even Martin Shaw, one of its three main stars, was so embarrassed by the show that for years his veto prevented it from being repeated in the UK (or perhaps it was simply because he was ashamed of the perm which he sported throughout the show's six-year run and which led to co-star Lewis Collins giving him the nickname "the Bionic Gollywog"). Whatever the reason, "The Professionals" won few critical admirers at the time and now - in the age of political correctness - is perhaps even more widely pooh-poohed. So why did it run for 6 years and become one of British TV's biggest ever, and most popular, exports? And why does it still enjoy cult status? The answer, paradoxically, lies in the reasons why it was so widely reviled in the first place. It's violent, politically incorrect and - to put it kindly - doesn't demand that its audiences have the intellect of rocket scientists to follow its plots. It was escapist entertainment aimed at boys of all ages from 10 to 50. Pictures of Bodie & Doyle adorned the bedroom walls of teenage girls up and down the land as they got in on the act too. And the show practically became an hour-long advertisement for the Ford motor company. In the UK during the late 70s and early 80s, it was positively hazardous to venture forth on a Friday night during a "Professionals" run, for fear of being knocked over and hospitalised by some young Johnny screeching round the corner in his Ford Capri, pretending to be Bodie & Doyle. Sure, "The Professionals" (like most shows of the genre) had its moronic moments, but who can forget classics like the episode in which two anti-social misfits holed up on a high rooftop and started taking pot-shots at a nearby hospital? Or the one with Bodie trapped in a country house, under siege by a bunch of German terrorists and with all contact to the outside world lost? Everything the critics accuse "The Professionals" of may well be true. But who cares? It's still a cult classic. They don't make 'em like that any more.
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