Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the... See full summary »
A film adaptation of Dante's Inferno that was never realized. Depicts the entry of the Great Poet in the dark forest, the meeting with Virgilio, access to the Inferno and the journey ... See full summary »
Violetta meets Alfredo and quickly falls for him. After the lovers run away together, they live in bliss for a short time. However, Alfredo's father, Giorgio, starts to interfere, concerned... See full summary »
There is no explanation as to why Jesus wasn't taken to King Herod the Great (Luke 23), despite the fact that Herod Antipas is one of the main characters. See more »
When Jesus' body is taken down off the cross and laid on the floor, one of his eyes blinks slightly. See more »
The mini-series ran on NBC as "The Big Event" in two three-hour installments with limited commercials on Palm Sunday and Easter Sunday. Additional footage was added for a 1979 re-run and broadcast in four two-hour installments. In the 1980s and 1990, the film was re-broadcast on NBC in three installments of two and three hour episodes...released on VHS and DVD as one complete presentation with one set of credits. See more »
Over the years, numerous attempts have been made to transfer the life of Christ to the screen, and one that succeeds is Franco Zefirelli's JESUS OF NAZARETH. The story is a straighforward retelling of the synoptic gospels(Matthew, Mark, and Luke), starting with the divine revelations to Mary and Joseph of their roles as Jesus's earthly parents on the the Resurrection. The score is beautific and reverent, and the big name actors who populate the film are well-cast(no Shelley Winters or John Wayne, thankfully). Also, British actor Robert Powell gives Jesus the proper reverence and poise. Zefirelli was correct to cast him; with his angular features, wavy brown hair and light eyes, this Jesus looks like every church icon and Sunday School picture I've ever seen, something Zefirelli was aware of and used to great effect. While he passes on accuracy for effect with Jesus, the apostles, it must be noted, all resemble the Hebrew peasants, publicans, and sinners they most certainly were. The length is tolerable, primarily because Zefirelli doesn't waste film on needless, arty panoramas or slow-moving dialogue. Zefirelli does keep the action moving, but one annoying technique he employs is the now dated-looking zoom close-up, but this happens infrequently. Highly recommended.
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