This series took place in an apartment building numbered 227. The cast would frequently e sitting outside on a large set of stone stairs, involved in some discussion that would unfold into the weekly plotline.
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
The life and love of a young couple is told through a series of monologues, sketches, and song and dance routines. Each episode followed how they met, fell in love, and subsequent married ... See full summary »
This spin-off from Mary Tyler Moore (1970) has Mary Richards' landlady, Phyllis Lindstrom, moving back to her hometown of San Francisco with her teenage daughter Bess following the sudden ... See full summary »
A group of sailors kid their shipmate Frank about his constant reading, when they would all rather play cards. But each of them has a dream for the future that they consider impossible. ... See full summary »
Over-the-hill TV actress Joyce Whitman is the star of a bad network crime drama "Undercover Woman". Acting in such an awful series is bad enough; being directed by her acerbic ex-husband John is even worse. Her roommate is a dizzy blonde named Mitzi, and she's frequently forced to deal with fussbudget network executive Doug.Written by
Marty McKee <firstname.lastname@example.org>
The original opening of the series began as the opening of "Undercover Woman," the show-within-the-show. After a few minutes of stereotypical police action (gunplay, car chases, etc.), the camera drew back to reveal this was on a TV screen and Betty White was sitting on the sofa watching it. The real series title then displayed. Apparently this confused many viewers because after a few episodes, the opening now began with Betty on the sofa, then panned to the police action on the TV screen. See more »
Neither as bad as it looked nor as good as it should have been
A brief career stopover for Betty White and Georgia Engel after "The Mary Tyler Moore Show" and John Hillerman between "Ellery Queen" and "Magnum PI," this was a cheap-looking sitcom on videotape set backstage at a TV show clearly modeled on "Police Woman." Betty's character was toward the Sue-Ann end of her spectrum; the catty insults were directed at her ex-husband (Hillerman), the director of the show, and at her young, beautiful, ambitious costar (Caren Kaye). I guess you can throw in an homage to "All About Eve" too. Like a lot of late 70s videocoms, it looked cheap and cheesy, with tacky sets and slapdash details like costumes and supporting players. The talented stars, however, plus some good one-liners made it better than it seemed. A bit of effort might have made this a success, but it only lasted half a season.
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