This art film has no conventional dialog between the main characters. This tells a strangely compelling story of two women in a suburban home who are listening to radio news broadcasts about a missing child in their area.
Walter is told by his boss, Sara, to deliver an urgent letter to Henri de Corinthe. On the way he finds a beautiful woman he had been eying in a nightclub, lying in the road, bound up. He ... See full summary »
Calcutta based screenwriter Amitabha Roy is traveling to Hashimara in north Bengal partly to visit his brother-in-law and partly to do research for what will be his third film. En route ... See full summary »
A couple take a vacation to a remote island - their last holiday together before they become parents. Soon after their arrival, they notice that no adults seem to be present - an observation that quickly presents a nightmarish reality.
Daniel Giménez Cacho
A couple of English tourists rent a boat to visit the fictitious island of Almanzora, just off the southern Spanish coast. When they arrive, they find the town deserted of adults, there's only children who don't speak but stare at them with eerie smiles. They soon discover that all the children of the island have been posessed by a mysterious force or madness which they can pass from one to another, and which makes them attack and murder their elders, who can't defend themselves because nobody dares to kill a child...Written by
Pablo Montoya <firstname.lastname@example.org>
Narciso Ibáñez Serrador wanted Tom and Evelyn to speak English to each other throughout the movie. This would add to Evelyn's communication troubles since she isn't able to speak any Spanish at all. However, since the producers feared that the public would get distracted by the subtitles, they made a last minute decision and had both characters dubbed into Spanish for the original version. Ibáñez Serrador has always been very critical of this decision, he felt that it damaged the atmosphere of the film. See more »
Tom sees the children using the old man's dead body as a piñata, but every time they strike him, his eyes and his face flinch. See more »
What did the man of the pension tell you?
Just that something strange had happened to the kids on the island.
Strange... But what?
I don't know. Some sort of madness. I can't understand this.
See more »
This tense, skillfully effectuated shocker spent a good many years lingering in relative obscurity, being largely unattainable outside of "grey market" trading circles. Now, more than three decades after its initial release, WHO CAN KILL A CHILD is finally getting the attention it deserves. The sagaciously conceptualized tale concerns an expecting young couple voyaging to a small island and finding that the adult population has declined considerably, as the resident children have gone inexplicably berserk and killed them off. With pint-size danger lurking at every turn, the couple must be fleet of foot and find a means of escape from the island. Defending themselves against an army of evil youths proves difficult, however, because...."who can kill a child"?
A singular horror film with able performances, first-rate direction, and effective filming locations which kindle a parched and desolate quality, recalling somewhat the unsettling flashback sequences in the closing moments of SUDDENLY, LAST SUMMER(1959). This chalk-dusted atmosphere of barren paucity and isolation is unique, and one of the key aspects contributing to the film's success. Genre fans might recognize one of the rancorous rugrats as Marian Salgado of DEMON WITCH CHILD(1976).
Strongly recommended. 7.5/10
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