A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
In London, the Italian gym teacher Enrico 'Henry' Rosseni is having a love affair with his eighteen year-old student Elizabeth Seccles, who is the daughter of the owner of the Catholic ... See full summary »
A couple of English tourists rent a boat to visit the fictitious island of Almanzora, just off the southern Spanish coast. When they arrive, they find the town deserted of adults, there's only children who don't speak but stare at them with eerie smiles. They soon discover that all the children of the island have been posessed by a mysterious force or madness which they can pass from one to another, and which makes them attack and murder their elders, who can't defend themselves because nobody dares to kill a child...Written by
Pablo Montoya <email@example.com>
For the scene in which the children use a corpse as a piñata the shots with the children were filmed separately substituting a punching bag for the actor who plays the dead body. See more »
When Tom finds the switchboard operator's dead body, she is breathing as he leans over her. See more »
What did the man of the pension tell you?
Just that something strange had happened to the kids on the island.
Strange... But what?
I don't know. Some sort of madness. I can't understand this.
See more »
While on vacation, a man and his pregnant wife visit an island that the former knows from his past. They arrive to find that the place is not how he remembered. In fact, it appears to be quite deserted aside from several children. It isn't too long before they come across an adult. Pity the kids get to him first, killing him and stringing his body up for use as a human piñata. You see, adults are no longer welcome on this island. At least not if they're still among the living.
For my money, "Who Can Kill a Child?" is a masterpiece of the genre. It makes other killer kid films look like jokes in comparison. Originally seeing it via the "Island of the Damned" cut, it's a very tense and unsettling film with some interesting socio-political subtext as relates to child violence. The likable main characters really struggle here, both physically and morally, in a picture as bleak as they come. It has such an impeccable mood and atmosphere to it. The closest comparison I can make is to that of Werner Herzog's short documentary, "La Soufrière". The isolated, disquieted feel of the island is very predominant.
It's unfortunate that director Serrador faded into the land of television after this film. He clearly had a lot to offer the genre.
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