This Thriller/horror movie tells the tale of a young girl who is terrified that her insane mother will take her away from her beloved foster mother. One day, the crazed real mother attempts... See full summary »
Robert Allen Schnitzer
Edward Michael Bell,
The Norris family get jobs working at a seedy old carnival as a cover for searching for their missing son who disappeared after visiting said carnival. Eccentric manager Mr. Blood turns out... See full summary »
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his ... See full summary »
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
In California, Molly is a deranged woman that babysits her nephews while her sister works hard sewing clothes for her clients. Molly works as waitress in a restaurant in the night shift and is the lover of the owner. She has fantasies with other handsome men. But Molly has also recollections of her childhood, when she was sexually abused by her father. Her insanity leads her to a murderous crime spree against men.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This may be a spurious comparison, but this reminded me of the bigger-budgeted movie "The Sailor who Fell from Grace with the Sea" which was released about the same time. Sure the latter is a serious drama while this is a low-budget (Italian?)exploitation movie, but they both share an eerily haunting seaside location and have a truly shocking ending. I can't say I enjoyed this movie in the sense that I would like to see it again anytime soon (most men will find it pretty, uh, painful), but I can't help respecting it. It's not your usual exploitation film. It is somewhat similar to the rape-revenge films that were big in the 70's (the epitome of which was the truly execrable "I Spit on Your Grave"). Unlike that movie and its ilk, however, this film does not relish in the rape and humiliation of its barmaid female protagonist (played by Millie Perkins). And her character is portrayed as a disturbed but always believable human being as opposed to a murdering/castrating automaton. And rather than portraying all men as jerks or potential rapists, it has a likable male character in her older bartender boyfriend, "Long John".
It takes a brave film to contain the extreme, potentially off-putting elements this one does, but also not take the easy, well-trodden exploitation route (one of the most ridiculous criticisms leveled at this film, for instance, is that there is not literally a witch in it). This movie certainly does wallow in grubby exploitation scenes, but at times it transcends all that and becomes something more haunting and lyrical that will stay with you long after you watch it.
13 of 22 people found this review helpful.
Was this review helpful to you?
| Report this