The Ascent
Original title: Voskhozhdenie
- 19771977
- 1h 51m
IMDb RATING
8.2/10
9.1K
YOUR RATING
Two Soviet partisans on a mission to gather food contend with the winter cold, the occupying Germans, and their own psyches.Two Soviet partisans on a mission to gather food contend with the winter cold, the occupying Germans, and their own psyches.Two Soviet partisans on a mission to gather food contend with the winter cold, the occupying Germans, and their own psyches.
IMDb RATING
8.2/10
9.1K
YOUR RATING
- Vasiliy Bykov(novel "Sotnikov")
- Yuri Klepikov(screenplay)
- Larisa Shepitko(screenplay)
- Stars
- Vasiliy Bykov(novel "Sotnikov")
- Yuri Klepikov(screenplay)
- Larisa Shepitko(screenplay)
- Stars
Sergei Kanishchev
- Boy wearing Budenovka
- (as Serezha Kanishchev)
- Vasiliy Bykov(novel "Sotnikov")
- Yuri Klepikov(screenplay)
- Larisa Shepitko(screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOfficial submission of Soviet Union for the 'Best Foreign Language Film' category of the 50th Academy Awards in 1978.
- Quotes
Sotnikov: [Imprisoned, Sotnikov and Rybak are arguing whether to speak with Germans or not] We're soldiers. Soldiers. Don't crawl in shit. You'll never wash it off.
Rybak: So then, to the grave - to feed the worms. Right?
Sotnikov: That's not the worst that could happen. No. That's not what I'm talking about. Now I understand. I understand. The important thing is to be true to yourself.
Rybak: Fool! You're a fool, Sotnikov. You graduated from the institute for nothing. I want to live! To live! To kill those bastards! Understand? I'm the soldier. And you're a corpse. All you've got left is your stubbornness - your principles!
Sotnikov: Then go, go on living - without a conscience. It can be done.
- ConnectionsFeatured in Women Make Film: A New Road Movie Through Cinema (2018)
Review
Featured review
Shattering
I agree with another reviewer, this is such a shattering film, that will be tough to watch again soon, though for quality alone, it deserves repeated viewing. The complexity of the characters, the incredible cinematography and superb direction make this movie worth the emotional price of watching.
There is one scene, of the two partisans dragging themselves through the snow to escape a patrol, that's perhaps, for sheer physicality, the most amazing performance I've ever seen. In fact, though not episodic -- the story flows -- this is a movie of memorable scenes. There's the passing of rations amongst the partisans, the snow scenes, the ruined farm scene, the encounters in the houses, the interrogation, the "basement" scene, the "ascent". All stand out like jewels in a necklace.
For me, the religiosity isn't overt. Frankly, I don't think it would have been permitted in a Soviet film. I do see this as an existential parable about the value of life. Here is a tale where the hero -- and he is a true hero -- becomes the villain, and the weaker one becomes the stronger one. Is this a mystical process or one dictated by circumstances? There is a transfiguration, but does it come from within or without? You must see the movie to understand the issues, for they can't be discussed without giving away too much of the story. I can't say enough about the acting. It's hard for me to choose which of the leads is more affecting. I'm not familiar with Soviet film of the 70s and am not familiar with any of the actors, but they are all superb. I also note how director Larisa Shepitko uses children. They remind me of Giotto's child angels.
There is a little muddling in the end. There is apparently a prior relationship between the soldier Sotnikov and the interrogator Portnov, but this is left dangling. And the final scene is a bit ambiguous. But compared to the total experience these are quibbles. This is a movie that will mark you for life.
There is one scene, of the two partisans dragging themselves through the snow to escape a patrol, that's perhaps, for sheer physicality, the most amazing performance I've ever seen. In fact, though not episodic -- the story flows -- this is a movie of memorable scenes. There's the passing of rations amongst the partisans, the snow scenes, the ruined farm scene, the encounters in the houses, the interrogation, the "basement" scene, the "ascent". All stand out like jewels in a necklace.
For me, the religiosity isn't overt. Frankly, I don't think it would have been permitted in a Soviet film. I do see this as an existential parable about the value of life. Here is a tale where the hero -- and he is a true hero -- becomes the villain, and the weaker one becomes the stronger one. Is this a mystical process or one dictated by circumstances? There is a transfiguration, but does it come from within or without? You must see the movie to understand the issues, for they can't be discussed without giving away too much of the story. I can't say enough about the acting. It's hard for me to choose which of the leads is more affecting. I'm not familiar with Soviet film of the 70s and am not familiar with any of the actors, but they are all superb. I also note how director Larisa Shepitko uses children. They remind me of Giotto's child angels.
There is a little muddling in the end. There is apparently a prior relationship between the soldier Sotnikov and the interrogator Portnov, but this is left dangling. And the final scene is a bit ambiguous. But compared to the total experience these are quibbles. This is a movie that will mark you for life.
helpful•383
- jacksflicks
- Sep 8, 2009
Details
- 1 hour 51 minutes
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