Une femme à sa fenêtre

basis of question - is it enough to have a good cast for to do a nice film ? in this case, the answer is not easy. and the fundamental error is the full of good intentions basket. a large puzzle. a lot of problems each only in drawing form. so, in final, a poor verdict - one of last roles for Romy Schneider. remembrance for her admirers. and regret about good ingredients in a confuse work. it is in middle of ways. it is not a love story, not a credible one. it is not a politic story because it remains only sketch not very inspired. it is not about Greece past because the details are only small clues. it is not support for philosophical speeches because this aspect is always fake. it is a promise. is it enough ? maybe, not exactly.