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Taxi Driver (1976)

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3:07 | Trailer
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.

Director:

Martin Scorsese

Writer:

Paul Schrader
Popularity
39 ( 17)
Top Rated Movies #105 | Nominated for 4 Oscars. Another 21 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Diahnne Abbott ... Concession Girl (as Diahnne Abbot)
Robinson Frank Adu Robinson Frank Adu ... Angry Black Man (as Frank Adu)
Victor Argo ... Melio (as Vic Argo)
Gino Ardito Gino Ardito ... Policeman at Rally
Garth Avery Garth Avery ... Iris' Friend
Peter Boyle ... Wizard
Albert Brooks ... Tom
Harry Cohn Harry Cohn ... Cabbie in Bellmore
Copper Cunningham Copper Cunningham ... Hooker in Cab
Robert De Niro ... Travis Bickle (as Robert DeNiro)
Brenda Dickson Brenda Dickson ... Soap Opera Woman
Harry Fischler Harry Fischler ... Dispatcher
Jodie Foster ... Iris
Nat Grant ... Stick-Up Man
Leonard Harris ... Charles Palantine
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Storyline

Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

On every street in every city, there's a nobody who dreams of being a somebody. See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

9 February 1976 (USA) See more »

Also Known As:

Taxi Driver See more »

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Box Office

Budget:

$1,300,000 (estimated)

Opening Weekend USA:

$116,458, 19 February 1996

Gross USA:

$28,262,574

Cumulative Worldwide Gross:

$28,441,292
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Dolby SR (re-release)| Stereo

Color:

Color (Metrocolor) (uncredited)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Steven Spielberg visited the music recording sessions of this movie to tell composer Bernard Herrmann how much he admired his work. The prickly Herrmann responded, "Oh Yeah? Then why do you always use John Williams for your films?" See more »

Goofs

When Tom escorts Travis out of the Palintine HQ, there is a crack in the lower part of the glass door. When Travis pushes open the door it swings open and hits the stop, the glass breaks out of the door frame and falls on the steps. The glass shattering can be heard in the dialog track. Tom (Albert Brooks) notices this but ignores it and calls for the policeman across the street. See more »

Quotes

[first lines]
[a telephone rings loudly]
Personnel Officer: [to the dispatcher] Harry, answer that.
[to Travis]
Personnel Officer: So whaddya want to hack for, Bickle?
Travis Bickle: I can't sleep nights.
Personnel Officer: There's porno theaters for that.
Travis Bickle: Yeah, I know. I tried that.
Personnel Officer: So what do you do now?
Travis Bickle: Well, I ride around nights mostly... subways, buses... I figure, you know, if I'm gonna do that I might as well get paid for it.
See more »

Crazy Credits

The original television version of the film featured the following disclaimer before the closing credits: "To our Television Audience: In the aftermath of violence, the distinction between hero and villain is sometimes a matter of interpretation or misinterpretation of facts. 'Taxi Driver' suggests that tragic errors can be made.- The Filmmakers." See more »

Alternate Versions

Some TV prints mute all the profanity and severely edit the final shootout in the brothel. Also removed is a point-of-view shot as Travis aims an unloaded gun out an upper story window when he meets the gun dealer in the hotel room. See more »

Connections

Featured in Scorsese on Scorsese (2004) See more »

Soundtracks

Hold Me Close
Lyrics by Keith Addis
Music by Bernard Herrmann
See more »

Frequently Asked Questions

See more »

User Reviews

 
Excellent
30 October 2004 | by lost-in-limboSee all my reviews

A lonely Vietnam veteran who has insomnia spends his nights as a taxi driver in the dirty streets of New York, where he encounters a young prostitute who he tries to help make a difference.

This is a very good film and one of Martin Scorsese best (Goodfellas being my fave). An excellent portrayal from Robert De Niro as Travis Bickle the cabbie and good performances from Jodie Foster as the child prostitute Iris Steensman, Cybill Shepherd, Peter Boyle and Harvey Keitel as a pimp called Sport.

You actually get drawn into the isolation and anger that Travis is feeling towards these lowlifes and because of that you really feel sympathy for him. Though after a while the loneliness and the city really starts to haunt Travis's mind, causing violent instincts and paranoia.

This film is filled with such memorable lines e.g.Travis Bickle 'You talking to me? Well I'm the only one here.' and the many powerful scenes that stay in your head after it's finished. The hypnotic cinematography is a standout, as if your seeing the harsh & gritty New York streets and twisted people through the eyes of Travis when he is driving his cab. A great screenplay, a stunning score by Bernard Herrmann and a superb atmosphere created.

This is a brutally compelling and bleak look at a decaying and corrupt society of the 70's. An unsettling gem of a film.

5/5


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